Lines stretched for blocks in Midtown Manhattan near Trump Tower last weekend, but not for a protest. Instead, tourists and locals converged just down the road to see The Daily Show’s homage to the self-proclaimed “Ernest Hemingway of a hundred and forty characters,” the man known as @RealDonaldTrump.
In 2005, a show called My Super Sweet 16 premiered on MTV. I was 14, fixated yet mildly disturbed as I watched teenagers just a couple of years my senior scream at their parents for buying the wrong type of Mercedes as a birthday present.
Hillary Duff sang the infections theme song (which is stuck in my head as I type this). The episodes typically involved 16-year-olds barking orders at their parents and outlining outlandish demands, such as a casual half million dollar budget. The birthday princess would change costumes more times than Rihanna at the VMAs.
Comedy Central’s first foray into the festival scene, a three-day music and comedy fete in June called Colossal Clusterfest, was quietly introduced in a press release back in February with the simple tagline: “Comedy. Music. Comedy.”
VH1 rang the Nasdaq opening bell to celebrate its new scripted series, Daytime Divas. Nasdaq’s Rob Phillips welcomed the stars of the show to the podium, along with Maggie Malina, senior vice president and head of scripted for MTV and VH1.
Phillips praised Viacom’s “innovative and imaginative programming,” noting how much buzz the show has been generating. “We are honored to have Viacom as part of the Nasdaq family,” said Phillips. “Viacom truly represents what it means to be a Nasdaq company—the visionaries, the game changers.”
Watch the ceremony:
Daytime Divas is based on Star Jones’ novel, Satan’s Sisters. The book and series follow the women behind a long-running talk show called The Lunch Hour. On screen, their quirky personalities shine and their friendships seem genuine. Backstage, it’s a world of backstabbing, blackmail, and botched plastic surgery (luckily, these antics were not present on the podium at Nasdaq.)
But for a drama about a fake talk show, the plot points couldn’t be more real. Daytime Divas tackles ageism, sexism, transgender issues, sexuality, spousal abuse, addiction, sexual harassment in the workplace…and that’s just in the pilot.
What do Target, Google, Nike, AT&T, and American Express have in common? They’re among the 25 most LGBT-friendly companies in the U.S., according to Logo, Viacom’s network inspired by the LGBT community.
Logo unveiled its second annual Trailblazing Companies list on the eve of Pride Month in June to compile the catalog of inclusive and supportive businesses.
So, how can Logo measure the economics of equality? With the help of Witeck Communications, a marketing firm focused on LGBT consumer habits, Logo scored companies based on seven criteria:
Courtesy of Logo/Witeck Communications.
Aside from promoting equality and inclusivity, why should companies care about promoting LGBT initiatives? Well, there’s this: the LGBT community has an estimated buying power of $971 billion, according to Witeck Communications President Bob Witeck.
“The footprint that gay people have today in the economy is much, much more present, much more visible,” Witeck said in an interview with Bloomberg News. “Also, companies are responding not just to LGBT purchasing power, they are responding to others who are aligned and sympathetic.”
At BET’s annual upfront presentation – an event where programmers preview their upcoming shows for advertisers – CEO Debra Lee revealed the network’s plans for the upcoming year: Rebranding sister network Centric, a swell of hit biopics and miniseries, and a partnership with Twitter that focuses on African-American social media trends.
NEW YORK, NY – APRIL 27: (L-R) Actor Deon Cole, comedian Wanda Sykes and Endyia Kinney-Sterns attend the 2017 BET Upfront NY at PlayStation Theater on April 27, 2017 in New York City. (Photo by Astrid Stawiarz/Getty Images for BET)
For the second year in a row, VH1 celebrated Mother’s Day with Dear Mama: An Event to Honor Moms. Halle Berry, Gladys Knight, Taraji P. Henson and Robin Thicke were among the A-list stars present at the Huntington Library in San Marino, California earlier this month, taking the stage to give thanks to their own moms and mothers everywhere.
With 1.7 million viewers tuning in to watch the amorous ceremony, it seems these stars aren’t alone in their insurmountable love and gratitude for their moms. Dear Mama was also among the top five most-tweeted shows the day it premiered.
The Daily Show With Trevor Noah puts a surrealist spin on American politics with its daily takedowns of all that is obscene, absurd and inexplicable in Washington, D.C. By doing so, the satirical news source not only fills a vital role in U.S. entertainment and media, but it also incubates a steady stream of rising on-air talent. Lately, those correspondents who report alongside Noah have been showing up all over the place, re-affirming the show’s role as one of the premier talent incubators on TV today.
The Daily Show’s Jordan Klepper is breaking out into a new role as host of a late-night show of his own, which will air weeknights following The Daily Show, while Hasan Minhaj entertained a constellation of elite journalist, celebrities, and politicians at the 2017 White House Correspondents’ Dinner (WHCD), an event typically attended by the president.
But Trump opted to skip the dinner in favor of holding a rally in Harrisburg Pennsylvania, after announcing in February that he would be the first president to skip the event since Ronald Reagan (who was recuperating after being shot) in 1981. Journalists predicted this year’s soirée would be unconventional. And it was.
MTV star and author Charlamagne Tha God recently took a break from his busy schedule to talk to employees at Viacom headquarters in New York City. The host of MTV’s Uncommon Sense and the recently-published author of Black Privilege: Opportunity Comes to Those Who Create It told employees about his journey to stardom, from growing up in the small town of Moncks Corner, South Carolina, to working for Jay Z, to finding his truth and passion in radio and on-air TV.
Charlamagne’s close friend, radio host Lawrence Jackson, moderated the discussion, which was followed by a question-and-answer session with employees.
Watch the video:
Charlamagne emphasized finding truth and authenticity in your work, no matter what you do. He considers getting fired (by Jay Z, nonetheless) to be a necessary part of his life—a “divine misdirection.” He thinks everybody should follow their passion, but keep an open mind if their passion doesn’t fit their skillset—not everybody has the voice to sing, for example, but if your passion is music, there are many opportunities to make a career in the industry without trying to rap.
Here are some more of Charlamagne’s insights from the conversation:
On being an author: “I honestly feel like that’s the most fulfilling thing I’ve done so far. I’m from a small town in South Carolina. In order to transcend your circumstances, books and hip-hop music are what allowed me to dream. Looking at a book full of experiences I’ve been through, and hoping somebody will be empowered and touched by the way I was touched by literature is a real dope feeling.”
On privilege: “White privilege is very real. But as a black man, I feel privileged to be black. I feel like when you’re talking about black privilege, you’re talking about something spiritual. When you’re talking about white privilege, you’re talking about something systemic. When you tap into black privilege, it gives you that divine ability to prosper in life in spite of everything thrown in our face to hinder us.
“I grew up hearing about black men being kings and black women being queens and goddesses. For us, we need to get back to that way of thinking. My skin is not a liability. My skin is my strength. For anybody marginalized or oppressed, that’s your privilege. Tap into your unique privilege. Whatever you are, embrace that. I choose to embrace my black privilege.”
Charlamagne Tha God autographs copies of Black Privilege: Opportunity Comes to Those Who Create It at the iHeartRadio Theater LA in Burbank, California on May 8, 2017. (Photo by Rich Fury/Getty Images for iHeartMedia)
On superheroes: “I grew up with Marvel comic books, and recently worked with them. I was a big Luke Cage fan, and it was a big thing for me when Netflix decided to do the series. They recently re-issued the Power Man Iron Fist comic books, and the guy who did the illustrations for those books did the illustration for me. It’s like a vision board of sorts. We were marginalized, now we’re superheroes.”
On making it in New York City: “It’s not the size of the pond, but the size of the hustle.
“Even though I was in a small pond, the ripples were making their way to New York City. I cultivated my craft in that small pond, and made a splash.”
On living your truth: “When people say things about you, or have a perception about you, that’s fine. That’s not your true character. If you’re aware of who your true character is, you can be self-aware, self-deprecating. What can people say to you then?
“As a young black man growing up, we often see men who look like us who are successful in athletics or in entertainment. If that’s not your dream, don’t do it.”
On producing top-notch content: “In the TV world, you have executives who know TV and that’s good, but do you know culture and content? You have to know both.
“Give everybody in the room credit. The know-it-all knows nothing. I tell people in radio, you’re never going to beat the internet.”
On being a fan: “I’m always a fan. Once you stop being a fan, you think your word matters a little too much, and people start saying, “Who does he think he is?” I always try to keep that fan perspective.”
On the value of success: “I admire success, but I admire what you do with success. For example, people like Oprah Winfrey, Will Smith, and Jay-Z. They’re doing a lot for culture, they’re moving things forward. Those are the people I admire—not for their fame, or money, but what they do with their prosperity. Like Jay Z’s Kalief Browder documentary [on Viacom’s Spike network] – I can’t attribute that whole documentary to why Rikers is closing, but it brought a lot of attention to the vile conditions at Rikers. I don’t think that story gets told without somebody like Jay Z.”
The 2017 MTV Movie & TV Awards was a gender and genre-bending revolution. The 26th annual iteration was held at the Shrine Auditorium in Los Angeles on May 9, and hosted by Workaholics star Adam Devine. For the first time, MTV’s celebration of mega-hits included television juggernauts alongside cinematic blockbusters. It also banished gendered categories, a first for American award shows besides the Grammys.
Beginning in 1992, the MTV Movie Awards lit up Hollywood’s award show circuit. Its edgy and unique categories such as Best Kiss became as iconic as the network itself. As an arbiter of youth culture, MTV knows how to adapt to an ever-changing world—and this year’s ceremony was no exception.
Rolling Stonecalled the network’s decision to omit gender distinctions “a simple but radical switch,” citing Best Actor winner Emma Thompson’s acceptance speech.
“The first acting award in history that doesn’t separate nominees based on their sex says something about how we perceive the human experience,” Watson said. “Empathy and the ability to use your imagination should have no limits.”