The 24th annual MTV EMA Awards will be an evening of world-class performances from some of the biggest music acts on the planet. For the first time since 1996, the festivities take place in London, home to iconic bands such as Oasis and the Spice Girls, as well as this year’s host: global superstar Rita Ora.
Ora’s EMA resume is robust. She opened the ceremony in 2012 with a performance of her hit song R.I.P., presented Eminem with his Best Hip Hop Award in 2013, and is an eight-time EMA award nominee.
The model, singer and dancer’s career began with a chart-topping debut album, Ora. She’s collaborated with stars like Charli XCX and Iggy Azalea for a number of hits, and was most recently a judge on The X Factor and the host of VH1’s America’s Next Top Model.
“Rita is a multi-talented star who’s been an MTV core artist for over half of a decade,” said Viacom International Head of Music and Talent Bruce Gillmer in a press release. “She’s the perfect hometown hero to lead the 2017 MTV EMAs, which promises to be the year’s ultimate global music celebration.”
The BET Hip Hop Awards splashed down to the Sunshine State for its 2017 ceremony, taking advantage of South Florida’s tropical vibes, frenetic energy and vibrant music scene to honor hip-hop’s hustle. The show attracted a who’s who of hip-hop royalty, including Gucci Mane, Luke Campbell, Playboi Carti and Flo Rida, while transforming Miami’s Jackie Gleason Theater into a trendy South Beach nightclub with bursts of pyrotechnics, fog, and flashing lights.
Migos performs “Too Hotty” at the 2017 BET Hip Hop Awards. (Photo courtesy of Getty Images)
Hosted by Miami native and modern renaissance man DJ Khaled, the Hip-Hop Awards paid homage to both industry veterans like Eminem (who went viral with a politically-charged freestyle) and spunky newcomers like Hustler of the Year, Cardi B.
Check out these highlights from the hottest night in hip-hop:
Robin Thede earned her first writing credit at the 2014 BET Awards, crafting jokes for show host Chris Rock. The gig sparked a fast-paced career in the entertainment industry—a career marked by firsts.
Thede’s “Who Dis?” segment on The Nightly Show was a hit with viewers.
Thede’s irreverent comedic style is a natural fit for late-night, the programming block characterized by acerbic hosts and borderline-offensive skits.
“I purposely put my name in the title so no one can replace me,” Thede quipped in an interview with Essence.
Watch the trailer:
The Rundown will be Thede’s chance to share her charismatic and hilarious style with a wider audience, who may not be familiar with her as a TV personality (although viewers will recognize her humor if they’ve watched any of the daytime, late-night and scripted TV shows where she’s credited as a writer.
“Some people only know me as a comedian, and some people only know me as a writer,” Thede told Variety. “This show blends field and studio comedy and plays to my strengths as a writer and performer. I want to create a (show) that is unlike anything else on the market.”
BET has the same goal. Connie Orlando, BET’s head of programming, told The New York Times that the network was looking to shake up its programming with late-night comedy.
“It was something that made sense for the direction we’re going in,” said Orlando. “We realized our real prime time starts at 10, and our audience loves to laugh. It felt like the perfect moment to add the voice of an African-American female to the conversation.” Orlando also believes the show has potential to go viral and reach viewers outside BET’s demographic.
How? Late-night talk shows are fueled by current events, relying on the daily news cycle for their commentary. Race relations and women’s issues heavily focused on. Thede is in a unique position as a black woman to provide commentary on these topics from her own experience—adding a level of genuine credibility to the late-night set that, until now, hasn’t existed for black female viewers.
In an interview with The New York Times, Thede predicted this credibility would help her show gain traction. “I’m speaking to stories that matter to us,” said Thede, referring to black women. Members of her community will tune in to “to get an authentic opinion about stories they’re not going to hear anywhere else.”
But The Rundown has great potential to engage viewers from every demographic, according to Orlando.
“The show’s going to cover anything from Cardi B to what’s happening in the White House,” Orlando told The New York Times. “I think all kinds of audiences will be interested to know and listen to what Robin has to say.”
As millennials, we like to think we know the 90s. If playing Pokémon on a Gameboy Color, taking trips to Blockbuster to rent VHS tapes and listening to the Spice Girls are among your fondest childhood memories, chances are you grew up to call yourself a “90s kid.”
We’re nostalgic for this time—and not just because it was our childhood. As it turns out, the 90s was a fly time to be alive, no matter how old you were.
The New York Times columnist Kurt Andersen (who is not a millennial) posits that this is due to political, technological and socio-economical advances during the last ten years of the 20th century in an op-ed called “The Best Decade Ever? The 1990s, Obviously.”
Our awareness of current events as adults makes this 90s nostalgia even more acute. Now we know that the world back then truly was, by our standards, pretty chill.
If given the chance to go back in time and experience this glorious epoch of tattoo chokers and Legos with the knowledge we have as adults, how would we fare? If a millennial lives in the ultimate 90s fantasy world but can’t share the experience via Snapchat, did it even happen? Ugh, as if!
MTV’s new reality-competition show 90’s House lets us witness what our lives would be like in the 90s, without time travel.
Since 1984, some of pop culture’s most revered moments, quotes and gestures originated at the MTV Video Music Awards (VMAs). Britney Spears’ sweeping, serpentine performance of I’m a Slave for You. Lady Gaga’s meat dress. Kanye West’s presidential bid. Miley Cyrus and the twerk heard ‘round the world. Michael Jackson’s moon-walking medleys. Hammer Time. Lil’ Kim, Diana Ross and one purple jumpsuit…these are images embedded in our collective social conscious, through memories and endless GIFs on our Twitter feeds.
Courtesy of GIPHY.
The 2017 VMAs, held at The Forum in Los Angeles in August, certainly spawned plenty of extraordinary moments.
Here were a few of my favorites:
Lorde’s silent, avant-garde performance of Homemade Dynamite
The pop star flounced around stage like a ballerina from Mars, which isn’t too unusual for the VMAs. Not singing (or even lip-synching) is, however, a bit unusual.
Courtesy of GIPHY.
Lorde tweeted a response to confused fans and reporters who covered the event, explaining how she had the flu and was on an IV drip just days before the ceremony.
When Paramount Television (Viacom’s independent production studio) launched in 2013, the studio opted to produce an ambitious first project for Fox: Grease: Live. The live televised special was a remake of the classic 1978 film Grease, and incorporated songs from the original movie, as well as a live studio audience to simulate the effects of a Broadway performance.
The show was nominated for 10 Emmy Awards, and won five—more than any other televised musical in history. It was also the no. 1 most social live musical event ever. It was the most-watched program when it aired on Jan. 31, 2016, with over 12 million viewers tuning in to watch the impressive performance, which critics called “skillfully directed” and “true to the original.”
The most vital part of this production, according to reviews, was the production itself.
Grease Live wins at the 2016 Creative Arts Emmy Awards. (Photo by David Livingston/Getty Images)
“Buoyed by tremendous camera work, fleet-footed choreography…and a sound mix that was fuller (or less tinny) than any comparable production that’s come before it, Grease built on the live (but not in front of a live audience) musicals championed by rival NBC over the last three years,” wrote Michael Slezak for TVLine.com.
How did a new production studio achieve such tremendous results from their first endeavor?
President of Paramount TV Amy Powell explains her strategy. “As content creators, we look for new and exciting opportunities that will appeal to audiences and find the right platform for our series,” said Powell. “We partner with top-notch talent and distributors that share in our vision and give creators the freedom to bring the content to life.”
By tapping Paramount’s rich content library and opening itself to collaborations with rival entertainment platforms, Paramount TV is a shining example of media industry synergy. The studio believes that partnerships are key—creating top-tier entertainment is a result of having the best ideas, and if those ideas come from external individuals or companies, it’s imperative to find a way to bring them together. Paramount TV is making this happen.
The studio’s original goal was to create one drama and two on-air comedies in three years. It easily surpassed that, creating a constellation of content that includes the Emmy Award-winning television musical special Grease: Live, Nickelodeon’s Emmy-nominated musical comedy School of Rock, EPIX’s critically acclaimed espionage drama series Berlin Station, USA Network’s hit series Shooter, Netflix’s teen drama 13 Reasons Why and the upcoming Amazon action drama Tom Clancy’s Jack Ryan.
In 2012, the Obama administration passed a new policy called Deferred Action for Childhood Arrivals (DACA). DACA, sometimes called the “Dreamers” program, protects eligible young immigrants from being deported. The “Dreamers” are kids who emigrated to the U.S. with their parents. Many moved here as young children or infants, and some did not even know they were not Americans until later in life.
DACA opened the door for these kids to legally apply for their first job, to get their driver’s license, attend college and ultimately join the workforce as adults, contributing to the American economy.
Now, there is a movement in Washington to end this policy. If this happens, the lives of nearly 800,000 young Americans will be irrevocably altered. By March, they’ll be at risk of being forced to leave everything behind and move back to their native country—which many of these kids have no memory of.
On August 31, Viacom President and CEO Bob Bakish joined President Barack Obama, dozens of university presidents, and a multitude of CEOs from major American tech and media companies in signing an open letter to the government leaders expressing their concerns about the devastating effects changing the immigration policy would have on the Dreamers living productive and happy lives in America, as well as the severe consequences it would have for the economy.
After Hurricane Harvey left Texas residents reeling from one of the most devastating storms in U.S. history, CMT teamed up with other broadcast networks to air a benefit telethon on Sept. 12.
Since then, Hurricane Irma decimated entire islands in the Caribbean and left millions of Florida residents without power. The affected areas are still in “rescue mode” according to The New York Times, meaning we don’t yet know the full extent of damage caused by this colossal storm, but experts agree it will be extensive.
The hour-long special aims to do just that—use music as a way to bring peace of mind to those affected by the hurricane. And with BET, MTV and other broadcast networks now airing the event, Hand in Hand can reach as many homes as possible. This means more opportunity for people to make personal donations to assist hurricane victims. The telethon is predicted to be one of the largest benefit concerts in history.
Viacom employee Georgiana Bell got the chance to attend BET’s Black Girls Rock! 2017 live special, along with her 12-year old granddaughter Nasir. Her thrilling experience came courtesy of Viacom’s Employee Events & Programs department, which offers an employee sweepstakes for our tentpole award shows.
Congratulations! Can you tell us a bit about your role at Viacom?
I’m a Viacom receptionist as well as a freelance talent escort for many productions, award shows and other red carpet events. I’ve worked at Viacom for 24 years.
Were you familiar with Black Girls Rock!?
Yes. In past years I’ve watched the special and worked the event as an usher, but to enjoy it as an audience member is a totally different experience, one that was well-appreciated. The atmosphere was great from where we sat. It seemed as though everyone was engaged, attentive and enjoying what they were seeing!
Michael Jackson earned his title as King of Pop for his mosaic of entertainment talent and ingenuity—especially when it came to creating iconic music videos. With Thriller, Jackson introduced cinematography into music videos, turning what used to be simple live recordings into fully-fledged short films. The 13-minute video (which I performed in a summer camp talent show as a teenager, and still remember most of the moves) was MTV’s first world premiere.
The award celebrates “forerunners in the music video sphere,” according to Slate.
“MTV is legitimately the definitive arbiter on such matters. And their track record with the Vanguard has reinforced their authority: The first recipients of the award, in 1984, were the Beatles and Richard Lester, for the trailblazing A Hard Day’s Night, and David Bowie, for his groundbreaking films from the late ’60s and ’70s.”