On June 1, the day that President Trump announced that he was withdrawing the United States from the 195-nation Paris climate agreement, Paramount confirmed that Al Gore would edit his forthcoming Inconvenient Sequel: Truth to Power, to include the executive turnabout.
The last-minute changes to the Jon Shenk- and Bonni Cohen-directed film should only inject more poignancy and relevance into a film that earned standing ovations and critical praise when it opened this year’s Sundance Film Festival, on the eve of Trump’s inauguration.
In both a nod to Gore’s courage and an emphatic statement of its own commitment to environmental causes, the studio has launched a Pledge to #BEINCONVENIENT, a social activation where concerned citizens can articulate their solidarity with the movement to mitigate the impacts of climate change.
Those who take the pledge can record a video explaining their passions for the environment:
A companion site offers resources to help pledgees choose renewable energy and communicate their priorities to others.
The Pledge follows Paramount’s longstanding commitment to environmental action, a philosophy that permeates the organization, from employee events organized by the studio’s Green Team to helping fund the Green Production Guide for making sustainable Hollywood films.
There’s so much to love about Baywatch. The surf, the sand, the slo-mo. After Paramount’s adaptation of the hugely popular show came to the big screen in May, we posed “5 Questions” to actress Priyanka Chopra. Hear her talk about what it was like working on the film, how Baywatch has become such a global phenomenon, and what’s behind the drama between her character, Victoria Leeds, and super lifeguard Mitch Buchannon, played by Dwayne Johnson.
Less than two years after Will Ferrell (playing step dad Brad) and Mark Wahlberg (dad Dusty), squared off in a territorial brawl over their kids, the duo is back in Daddy’s Home 2. Only this time, they are buddy-buddy co-dads engaged in an endless game of suburban gymnastics to serve their family.
And then Christmas hits. That means that Dusty’s smooth-moving pops (Mel Gibson) and Brad’s still-doting father (John Lithgow) collide in the suddenly undersized home for a holiday disaster of theater-sized proportions.
The Sean Anders-directed film, which also stars Linda Cardellini and John Cena, will be in theaters Nov. 10. Pack your baggage.
With Memorial Day weekend, summer arrives in the American conscience. And what’s more summer (or more American), than Baywatch, that 242-episode icon that lives in everyone’s collective slow-motion memories of the 1990s?
The last episode wrapped a long time ago, but Paramount is bringing Baywatch back, refreshed and updated for the cinema, next Thursday, May 25:
Long-time fans likely don’t need a lot of incentive to don their red swim trunks and life jackets and get in line outside the theater. For those of you who aren’t familiar with Baywatch, however, here are eight reasons why you should stake out a spot in your favorite beach chair now:
Johnson is so perfectly suited to be so many things that when Paramount released G.I. Joe: Retaliation in 2013, he was the natural pick to star as heavy machine gunner Roadblock, one of the most popular Joes of all time.
And he plays a starring role as Mitch Buchannon, the jetski-riding, bad-guy chasing, refrigerator-carrying man about beach who leads the Baywatch lifeguard team. Who else would dive underneath a raging fire and emerge in the bowels of a burning yacht to save someone? And who doesn’t want to see that?
The answer: no one.
“In an age when it’s cooler to hate things than enjoy them, Johnson has carved out an improbable niche for himself, as someone it’s safe to like,” GQ’s Caty Weaver wrote recently. “Maybe you like him because he’s big and does fast things in slow motion. Maybe you like him because he had one song to sing in the children’s musical he was cast in, and he sang it with his whole heart. Undeniably, he is likable…”
2) Dwayne Johnson love Zac Efron (and so will you)
Johnson, who is People’s reining Sexiest Man Alive, recently endorsed costar Zac Efron – who plays Olympic gold medalist Matt Brody in the film – as a candidate to assume his title next year.
“Do I get a vote? Then yes, absolutely I could see that,” Johnson told People. “I could see one out of five happening, I can’t divulge that right now, but he’s in the top five.”
And what’s not to like? While Brody saunters onto the beach as a hotshot international swimming star, he reprises the role of affable dufus that Efron excels at. Buchannon mocks him as “One Direction” and makes him haul tandem refrigerators across the beach to prove himself. But that doesn’t stop Brody from leading monster parties, chasing criminals in “lifeguard pursuit” down the boardwalk, and, you know, leaping off a freaking motorcycle into the ocean.
3) But then again, the Rock loves everyone
The Baywatch beach is big, and there’s a lot of talent filling it up. On the Forces of Good side of the credits, Alexandra Daddario plays Summer Quinn, Kelly Rorhbach reprises the role of C.J. Parker, and Ilfenesh Hadera plays Buchannon’s second-in-command Stephanie Holden. Meanwhile, Priyanka Chopra, a former Miss World and one of the most popular Bollywood celebrities in India, tries out her evil cackling as Victoria Leeds, whose materialization in the Baywatch environs has directly corresponded with an uptick in violence and drug smuggling. The Rock, peering down from his lifeguard chair, nods approvingly at them all:
Paramount has dropped another trailer for Transformers: The Last Knight, panning over colossal battlefields across epochs and revealing the provocative details of the alien robots’ history on Earth.
“For a thousand years, we’ve kept it hidden, to protect Earth from what was destined to arrive,” narrates a somber voice to images of Transformers drawing swords in solidarity with armored knights around a medieval round table, suggesting the Autobots and Decepticons have been battling it out on our turf far longer than we had imagined.
We zoom from those ancient battlefields to what appears to be a hypnotized Optimus Prime, chained in some vacuum of space’s nether regions, swearing allegiance to a being he calls “My Maker.”
And from there to an armada of insectile alien ships sliced from a nightmare, descending en masse upon an Earth upturned by a state of total warfare. Here, Optimus Prime battles Bumblebee and delivers his devastating verdict: “For my world to live, yours must die.”
Transformers: The Last Knight drops in theaters on June 23.
Tom Cruise will zoom back for a sixth appearance as Ethan Hunt, following 2015’s Mission: Impossible – Rogue Nation, which McQuarrie also directed. The film, which also start Rebecca Ferguson, Henry Cavill, Vanessa Kirky and Alec Baldwin, is slated to open in July 2018.
While it’s way too early for a trailer, you can get ready for the next mission by checking out promos for the first five impossible adventures:
When Transformers: The Last Knight drops on June 23, it will mark the fifth installment in the franchise from Paramount, a legacy that stretches back a decade. From the day Transformers hit theaters on that July day in 2007, the franchise has delivered an explosive visual experience as oversized as the robots that it stars.
And those visuals really rip on Imax, a platform that seems custom cut to hold the building-crushing, metal-banging, guns-blazing world of Autobots and Decepticons. This little featurette distills the relationship between IMAX and Transformers, narrating how each helped the other surge:
There is almost nothing in the steampunk urban wilds of Ghost in the Shell that does not invite further exploration, so completely is the film’s cyber-enhanced near future stretched over the geometry of a recognizable city and society. Major (Scarlett Johansson), a cyber-enhanced, terrorist-thumping soldier roams a world where everything is at once fantastical and completely plausible, a realm where even the workaday infrastructure of normal living seems exotic and alien.
For example, her apartment:
And what is lurking in her brain:
On every detail, the film, which opens today, executes flawlessly, seeding these elements in a holograph-laced live-action dimension as dazzling as the anime that inspired it.
“Visually, it resembles nothing else in theaters,” writes AV Club’s Ignatiy Vishnevetsky. “…It is in its designs … that this new Ghost In The Shell finds tantalizing expressions of theme: the faces and limbs of hacked androids breaking up into insect-like forms as they attack; the lonely, recessed spaces of futuristic sleeping quarters; the grotesquerie of cybernetic enhancements; red light districts where human prostitutes dress like sex-bots to attract clientele. Johansson’s Kubrickian performance and the technical precision of the camera make its artifice seem almost haunting.”
Scarlett Johansson plays the Major and Pilou Asbaek plays Batou in Ghost in the Shell from Paramount Pictures and DreamWorks Pictures. The spectacular future city rises in the background.
This is a common sentiment – the Telegraph’s Tim Robey writes: “As Blade Runner did before it, this slinky, cyberpunk action flick makes its style the entire statement, pondering a future of human-robot synergy simply by visualising it in as much eye-popping detail as possible.”
Baywatch is sprinting back up the beach this spring to a Paramount feature film, led by Dwayne Johnson (Mitch Buchannon) and Zac Efron (Matt Brody), the all-business vet and the brash newcomer, whose brewing rivalry is subdued by a joint mission to save the bay from criminal scheming.
There are leaping jetskis, gun fights, and gun fights on leaping jetskis. There are daring rescues and dives from moving motorcycles into the water. There are drugs and dumped bodies and a ruthless ringleader at the head of it all. And there are the humor-laced moments of quirk and vanity that make Baywatch everything fans would expect it to be: Buchannon critiquing a sand-carved effigy of his physique, a drowning woman pummeling would-be rescuer Brody, a lifeguard tryout involving two refrigerators mounted to a carrying pole.
Johnson and Efron bring good company along on the ride: Priyanka Chopra, Alexandra Daddario, Jon Bass, Kelly Rohrbach and Ilfenesh Hadera. Baywatch, directed by Seth Gordon, hits theaters on May 26.
Ahead of the film’s wide release next week, Paramount aired the first five minutes of its highly anticipated Ghost in the Shell film adaptation in a Facebook Live stream earlier today. [Slide to 1:30 to begin watching the preview.]
This is our first extended look at Scarlett Johansson as cyber-enhanced asskicker Major, an impossibly fluid super soldier who leaps off skyscrapers and bursts through glass in a terrorist-levelling, guns blazing, ninjitsu-flipping onslaught heavy on violent efficiency and devoid of mercy.
It isn’t clear from this opening scene exactly who dispatched the machine gun-equipped gang that Major pulverizes, although the shadowy Hanka Robotics is mentioned by an expiring kabuki robot. What is clear is the stunning future setting, a towering urban techtopia of building-sized holograms and ubiquitous robots, where wired humans download the entire French language into their brains in a few beats of song and an entire building’s security network can be scanned in moments from a virtual headset.
But that world is a backdrop to the story of Major, a one-time human whose body was so damaged in an accident that it was replaced with her exoskeleton – or so she was told. “Who is the Major is a good question,” says Johansson in the clip below, “and this film is really about the journey of self-discovery for the character.”
The Rupert Sanders-directed film, which costars Pilou Asbaek, Takeshi Kitano, Juliette Binoche and Michael Pitt, will open in theaters nationwide on March 31.