Viacom

Transformers Return, The Mist Creeps In, Logo Honors Trailblazers, Bellator Hits MSG, 17th BET Awards Air – All in a Spectacular Weekend for Viacom

by Stuart Winchester, Viacom

This is an extraordinary week for Viacom, a showcase of our diverse properties and the incredible power of our brands, sprawled across theaters, televisions and event spaces all over the world.

On Wednesday, the fifth Transformers movie opened in theaters. Thursday brought Spike’s mini-series adaptation of Stephen King’s The Mist. Friday we celebrate Pride month with Logo’s Trailblazer Honors. Saturday is perhaps the marquee night in Bellator history, as the Spike-owned property drops into New York City’s Madison Square Garden. And Sunday takes us to the West Coast, where BET will broadcast their marquee BET Awards.

As Viacom refocuses under the leadership of CEO Bob Bakish, this rapid-fire concentration of noteworthy properties distills the impressive breadth and depth of Viacom’s multi-brand portfolio.

Here’s a day-by-day look at what’s already dropped and what’s to come over the weekend:

Wednesday, June 21 – Transformers: The Last Knight – Paramount Pictures

It is the fifth installment in the live-action Transformers spectaculars directed by Michael Bay, an intriguing collision of ancient epochs with the robot alien present, and a special effects masterpiece.

“…[I]f you’re not staggered by the technique on display here – the stuff that sets Bay’s work miles above the Fast & Furiouses, X-Men: Apocalypses and Tom Cruise-chasing Mummies of this world – you’re not paying attention,” writes The Telegraph’s Robbie Collin.

Here’s a preview of what he’s talking about:

Since the first Transformers movie hit theaters in 2007, the franchise has raked in nearly $4 billion for Paramount and redefined important elements of the movie industry. “Ever since the first movie in the robo-franchise was released into theaters a decade ago, the film industry has changed its approach to producing, releasing and reporting on movies,” writes The Street’s Buster Coen, noting that the films legitimized toy-to-cinema adaptations, stamped June as a month for movie blockbusters, and set the template for international distribution of American films.

Transformers: The Last Knight is in theaters around the world now. A Bumblebee spin-off is scheduled for release next summer.

Thursday, June 22 – The Mist Spike

With a cast of complex characters unified by their small-town setting, the deft use of suspense and drama, and some imaginative writing, Spike has transformed Stephen King’s 1980 novella about a sinister, monster-filled cloud descending upon a small Maine town into a 10-part serial that debuted last night.

And it’s really good, according to a platoon of critics who got an advanced look at the pilot. “Spike’s new series based on The Mist … wasn’t written by King, but it does the author proud ,” writes CNET’s Gael Fashingbauer Cooper.

The series was written, rather, by a team led by Denmark native Christian Torpe, who is a lifelong King fan and consulted with the author at the project’s outset. King simply told him, “Don’t do anything ordinary.”

Torpe appears to have succeeded, leaving even those familiar with King’s original work in suspense. “It’s hard to judge where this newer, looser adaptation might progress from just the first hour, but Torpe has said that, like King, he intends to explore the nature of fanaticism, and how fear so often compels people to seek out unlikely prophets,” writes The Atlantic’s Sophie Gilbert. “If so, The Mist could be a satisfyingly complex chiller, scaring viewers not just with unexpected jumps and amped-up creepy crawlies, but with the more human monsters who are all trapped together inside, waiting out the weather.”

The Mist premieres at a time of incredible momentum for Spike, which will evolve into the premium TV Paramount Network in January of next year. While the network is still determining an exact programming lineup, they have already announced Yellowstone starring Kevin Costner, a six-part documentary on Trayvon Martin produced in conjunction with The Weinstein Company, American Woman starring Alicia Silverstone and Mena Suvari, a six-part Waco series documenting the 1993 stand-off at the Branch Dividian compound, and a television adaptation of the 1988 classic film Heathers.

Friday, June 23 – Logo Trailblazer Honors – Logo

The fourth installment of Logo’s marquee event follows last year’s emotional outpouring of defiant pride in the aftermath of the Orlando nightclub massacre.

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Challenge Accepted: Team Viacom Once Again Races Through J.P. Morgan Corporate Challenge

by Stuart Winchester, Viacom

From the north-facing upper floors of Viacom’s headquarters at 1515 Broadway, you can see Central Park nested amid the urban thrum, a luxuriant stretch of water and trees that allows an escape from Manhattan without leaving it. It’s about as opposite the frenetic everlasting chaos and concrete of Times Square as a piece of the city could hope to get.

Which makes it an ideal place for Viacom employees to gather outside of the office for a little fun and exercise. On a pleasant evening in early June, a team of 140 marshalled in one of the park’s meadows to do exactly that. They joined more than 30,000 racers from 709 companies who, over the course of two days, huffed through the 3.5-mile J.P. Morgan Corporate Challenge run.

One hundred forty Viacom Employees ran the 2017 J.P. Morgan Corporate Challenge in Manhattan’s Central Park.

Ross McGraw, a director in Nick Partnerships, finished first among Viacom employees (and 15th overall), with a time of 18:44. He was followed in the men’s category by Ned Wagner (22:17), Jack Cogan (22:41), and Billy Devletoglu (24:01).

McGraw, who has completed the Corporate Challenge many times with both Viacom and a previous employer, MKTG, was on familiar turf – he lives on the Upper West Side, which is adjacent to Central Park, and he runs there often. He is also a committed athlete. A veteran of NYU’s track and cross country teams and a Team USA triathlete, he finished second in the nation in his age group (and fifth overall) at the Duathlon National Championships in Bend, Oregon last weekend. He won the Hammonton Triathlon in New Jersey last month

To keep in shape, McGraw runs, bikes or swims for an hour and a half each morning and evening. He looks forward to the Corporate Challenge as a part of his training regimen. “It’s local, it’s fun, it’s one of the few times I get to do something that represents the company versus just my own interests,” he said.

“I think it’s really cool that Viacom hosts this for employees,” McGraw, a director of partner marketing for new business at Nickelodeon, continued. “In Nickelodeon partner marketing, we do a lot of programs that focus on getting kids out and being active and I think it’s important to practice what you preach, and so I think it’s important to get out and show people that we also do that. We’re an active company and we get out and play ourselves, to some extent.”

Ross McGraw, left, finished 15th in the Corporate Challenge overall and was the top finisher among Viacom men with a time of 18:44. Katherine Howley, right, was tops among Viacom women with a time of 23:43.

Among the Viacom women, first-time Corporate Challenge participant Katie Howley (23:43) was the top finisher, followed by Erica Martin (26:24), Candice Brancazio (28:05), and Shannon Maguire (29:50).

“I thought this would be a great opportunity to hang out with my coworkers and represent Viacom,” Howley, a social media manager for Velocity International, said. “I think it’s nice that Viacom cares about us not only as people who can produce work, but as people who live a well-balanced lifestyle and care about their personal fitness.”

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Viacom’s Assets “Uniquely Configured to Serve” Demand for Low-Cost Bundle, Bakish Tells CNBC

by Stuart Winchester, Viacom

Video courtesy of CNBC. Used with permission.

Viacom CEO Bob Bakish is in Paris this week, attending the Viva Tech conference, where he provided more insight into the low-cost entertainment package that he has been promoting in recent weeks, saying in a conversation with CNBC that such a product could be on the market as soon as this calendar year.

With a price target somewhere between $10 and $20, the sports-free package would offer significant savings from both the traditional large bundle and the $40 over-the-internet options that are now proliferating.

Bakish points to Netflix’s tens of millions of U.S. subscribers and its $10 price point as indicative of the demand for lower-cost non-sports services. Viacom’s assets are, he says, “uniquely configured to serve this.”

“Ultimately, the question will be, how does the market segment, because we’re at a transition point in the market,” Bakish notes “…but by introducing this lower price point, we think with these cord nevers and millennials, this is where we start to get traction.”

While the exact look of the package remains unclear, one thing is certain: Viacom will continue to evolve to meet the consumer where they are.

 

You’ll Never Have to Walk Alone: Viacom Unites With 20,000 New Yorkers for AIDS Prevention and Awareness

Sunday, May 21 was a pleasant spring morning in Manhattan’s Central Park, and Team Viacom couldn’t have asked for a better day to unite and support the 32nd Annual AIDS Walk New York.

Stationed among other top corporate walk sponsors in the so-called “gold section,” team members soaked in the warm air, secured their fundraising rewards, and chewed on their Così squagels. After a team photo, Viacom joined thousands of other jubilant walkers in a 10-kilometer march through the 843-acre park.

Team Viacom at the 2017 AIDS Walk in New York. Photo courtesy of Viacom.

AIDS Walk New York is the largest single-day AIDS fundraising event in the world. In its more than 30 years, the event has raised more than $150 million to combat HIV and AIDS (more than $3.7 million in 2017 alone). The funds raised at the event are a vital lifeline sustaining the prevention, care, and advocacy programs that the GMHC organization provides for the thousands of men, women and families affected by the diseases in the tri-state area. The proceeds also benefit dozens of other HIV/AIDS service organizations that participate as teams and raise funds through the organization’s community partnership program.

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Viacom Once Again Joins Everytown for Gun Safety to Wear Orange and Fight Violence

by Stuart Winchester, Viacom

There’s a reason that hunters, bicycle messengers, construction workers, joggers and anyone else with a compelling reason to stand out drape themselves in orange: it works. After all, it is hard to be mistaken for a deer when you are wearing a blaze-orange insulated onsie in a snow-filled forest.

Yet, safety orange is not a widespread part of the everyday American wardrobe, because why should it be? Most Americans are not traipsing through the forest on a deer hunt or delivering pizzas via bicycle on a daily basis.

And yet, 93 people die, on average, every day from gun violence. Seven of them are children or teens. Hundreds more are injured. Every. Single. Day. With 12,000 annual gun murders, America’s gun homicide rate is 25 times greater than the average of other developed nations.

Source: Everytown for Gun Safety

It is an ongoing crisis in plain sight. And it often seems as though it is being widely ignored by lawmakers and others. On June 2, Viacom once again teamed up with Everytown for Gun Safety for Wear Orange, a statement initiative declaring that change is needed. Their weapon was one that cannot be ignored: orange clothing.

Viacom unleashed the power of multiple brands to support the initiative across a variety of on-air and outdoor platforms. The company’s headquarters, a tower heaving from the center of Times Square, served as the epicenter of this support, with the building lit orange along the New York City skyline and this public service announcement – created in conjunction with Everytown and HUGE – playing on the enormous video screens hanging off the building’s eastern facade:

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Brazilian Preschoolers and Tech, World Turtle Day and Kids’ Gaming Habits: Viacom Global Insights Digest, June 2017

by Christian Kurz, Global Consumer Insights, Viacom

Welcome to the June issue of the Viacom Global Insights Digest, bringing you Viacom’s latest consumer insights from around the world.

This month, we look at the connection between preschooler tech use and safety in Brazil, a celebration of World Turtle Day, the importance of exclusive experiences to teens and young adults, dads’ struggle for more time at home, and kids’ gaming habits.

As always, the English version of our blog is home to these stories and many more. All stories are available in Spanish (LatAm) and Portuguese (Brazilian).

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In Brazil, Parents Worry About Safety and Rely on Technology

Parents in Brazil see technology as an educational tool for preschoolers that keeps them entertained while safe at home.

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Celebrating World Turtle Day

On a day for raising awareness about turtles, we hope fans wore their Teenage Mutant Ninja Turtle gear with pride.

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For Youth Today, Exclusive Experiences Are a Status Symbol

An always-on generation is drawn to being #first – and wants to be more mindful.

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Global Dads Struggle to Balance Career and Family

Dads want to be more involved in their kids’ lives, but getting time away from work isn’t easy.

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Global Kids Love Their Games

A new survey of kids in 30 countries reveals a generation of passionate gamers.

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A Secret Language Written on Viacom’s Walls – Art at Viacom Continues with Marela Zacarias

by Stuart Winchester, Viacom

The colors ripple like some secret language across the objects’ surface, arrayed in geometric patterns as elegant as a circuit board and as mysterious as ancient hieroglyphics. They sit on a series of banners and bulging sculptures in the south lobby of Viacom’s Times Square headquarters, dancing along the walls, each with a unique pattern of colors and lines.

Sculptures by Marela Zacarias hanging in Viacom’s lobby at 1515 Broadway as part of the latest Art at Viacom installation. Photos by Brooke Alexander/Studio Brooke

The expansive and varied texture of the work reflects the deep cultural influences of their creator, Marela Zacarias, a Mexico, Montana and Brooklyn based artist who was the latest exhibitor for Art at Viacom, an ongoing program that showcases rising artists at our offices around the world.

Huffington Post contributor Isa Freeling wrote this about Zacarias’ exhibit in April: “Her show, Echoing Forms is impressive in its ability to sensually exact beautiful pieces by casting sheets of mesh into sensuous folded blankets, by using plaster and polymers and are so exquisitely executed and rich in texture and strength, it is a pleasure to look at the work.”

Zacarias’ installation follows a parade of Art at Viacom projects: the striking metallic oil paintings of Kip Omolade, the geometric wizardy of Tahiti Pehrson, the cartoonishy wondrous works of Australian duo Dabs Myla, the mammoth swirling tablecloth sculptures of Crystal Wagner, the multicolored yarn meadows of HOTTEA, and massive ceiling-dangling floral display from Rebecca Louise Law.

The tricycle was an existing work that Marela Zacarias incorporated into her Art at Viacom exhibit in Viacom’s Times Square headquarters lobby. Photo by Brooke Alexander/Studio Brooke

Zacarias partnered with Viacom after high-profile installations at the Brooklyn Museum, Praxis Gallery, Brooklyn’s William Vale, and other places. She is constantly on the move. When I spoke to her over the phone the week after the exhibit opened, she was already down in Mexico City, preparing for a gallery show. Below is a condensed and lightly edited version of our conversation:

Stuart Winchester: How did you decide to use the banners, which are a departure from your typical work?

Marela Zacarias: There were challenges in terms of how much weight I could hang, and the sculptures are 135 pounds, so I couldn’t do my usual work, because there was nowhere to hang it from. And then I thought of the banners. I’ve been doing sculpture for about six years, and I really haven’t gone back to canvas for a while, so it felt really liberating to return, and I don’t know if I would have made that strategic choice if it wasn’t for the lobby’s structural situation. The technical problems led me to real artistic growth.

Hanging the banners at 1515 Broadway for Marela Zacarias’ Art at Viacom installation. Photo by Brooke Alexander/Studio Brooke

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MyViacommunity Stories: Fostering Hope, By Design

We caught up with Katie Dominguez, senior art director at TV Land, to talk about her volunteer work through Viacom’s pro-social branch, Viacommunity.

Eli Musser: How do you volunteer? What are you involved with?

Katie Dominguez: I’ve volunteered for a few different organizations through Viacom’s skills-based Talent for Good program, donating design and branding services. One organization is Graham Windham, a foster care agency in New York City that also offers schooling, health care centers and after-school programs. Another organization is called Integrate, and they provide services for those with autism who have gone to college and can’t land jobs. They also educate companies about autism and offer recruitment to help candidates with autism.

EM: How do you feel when you’re volunteering?

KD: I take it as a serious job. I always give 100 percent when I’m doing my work, so when I’m volunteering, even though I’m not getting paid for it, I’m definitely trying to do the best job I possibly can. At the end of the day, I’m just glad that I can help give my services to something that’s worthwhile.

EM: How do you feel about Viacommunity’s presence at Viacom?

KD: I think it’s great. I’ve been taking full advantage of it. Being able to share your skill sets is really nice. I think it’s great that Viacom has this opportunity for people to get out there and give back. I hope a lot of people do it and continue to do it. I think it makes Viacom a better company because it enriches their talent and provides a great service.

Get Schooled and the Chainsmokers Celebrate Tulsa School’s Soaring Graduation Rates

by Stuart Winchester, Viacom

Fresh off topping a billion and a half YouTube views of their smash hit Closer, the Chainsmokers used their ever-growing profile to acknowledge something special happening in Tulsa: soaring graduation and college acceptance rates at Webster High School.

In a partnership with Get Schooled, an organization founded through a partnership between Viacom and the Bill & Melinda Gates Foundation, the duo crashed senior day at the Oklahoma high school, where 90 percent of a diverse student body is eligible for free or reduced lunch. After dazzling students at an assembly, the band gave every member of the school’s senior class a ticket to their concert that night at Tulsa’s BOK Center.

“We wanted to inspire them to go off and do an art, or whatever it is after this, and if we can be a part of it, that’s great,” the Chainsmokers’ Andrew Taggert told Marty Kasper of News on 6, a local television news show, as he stood alongside bandmate Alex Paul following the assembly.

The Chainsmokers’ Andrew Taggert and Alex Paul address students at Webster High School in Tulsa, Oklahoma. Photo courtesy of Tulsa Public Schools.

Over the course of an ongoing four-year partnership with Diplomas Now, a national organization dedicated to improving retention and graduation rates, Webster’s graduation rate has jumped to over 75 percent from just over 50 percent, while the number of college-bound seniors has risen by 33 percent.

“The Webster High School community, in partnership with Diplomas Now, united the school around a common goal:  improved graduation,” said Get Schooled Executive Director Marie Groark. “Incredibly, they engaged every teacher and student in this work and in doing so have demonstrated to the nation what is possible when schools and partners work together. We are excited to recognize their hard work and success.”

The students seemed thrilled with the encounter. “I’m really excited,” Darius Arney told News on 6’s Kasper. “I can’t believe they’re actually here.” Check out the station’s full report from the school:

NewsOn6.com – Tulsa, OK – News, Weather, Video and Sports – KOTV.com |

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Remembering Brad Grey

by Stuart Winchester, Viacom

Brad Grey, who led Viacom’s Paramount Pictures for a dozen years and left a rich legacy at the studio, passed away on Sunday evening following a battle with cancer. He was in his home in Holmby Hills, California with his family by his side. He was 59 years old.

“Brad Grey was an extraordinary talent with a passion and gift for storytelling that won’t be forgotten,” said Viacom President and CEO Bob Bakish. “He has left an incredible legacy at Paramount and across the entire entertainment industry, from the beloved hit franchises he developed for both film and television, to the countless individuals he mentored and supported throughout his career. All of us at Viacom and Paramount mourn his passing, and our thoughts are with his family at this difficult time.”

Grey’s commitment to delivering poignant, compelling stories to audiences around the world bolstered the 105-year-old studio’s deep library with films across many genres. Starting with the smash hit Transformers in 2007, Grey guided Paramount into the franchise era with the original Paranormal Activity and continuations of the classic Mission: Impossible and Star Trek series. The studio complemented these releases with a parade of must-see standalone films, including the cerebral Interstellar, the gripping World War Z, and the gonzo Wolf of Wall Street.

NEW YORK, NY - JULY 27: Alec Baldwin, Tom Cruise and Chairman and CEO of Paramount Pictures Brad Grey attend the New York premiere of "Mission Impossible: Rogue Nation" at Times Square on July 27, 2015 in New York City. (Photo by Kevin Mazur/WireImage)

NEW YORK, NY – JULY 27: Alec Baldwin, Tom Cruise and Chairman and CEO of Paramount Pictures Brad Grey attend the New York premiere of “Mission Impossible: Rogue Nation” at Times Square on July 27, 2015 in New York City. (Photo by Kevin Mazur/WireImage)

Aside from box office success – eight of Paramount’s 10 top-grossing films came over Grey’s tenure – this varied slate earned many accolades for the studio, including at least one Academy Awards Best Picture nominee in 11 of Grey’s 12 years. Most recently, Paramount earned a pair of Oscars in February: Viola Davis took Best Supporting Actress for her work in the widely hailed adaptation of August Wilson’s Fences, while the gorgeous Arrival earned the award for Sound Editing (both earned Best Picture nominations). At the 2008 Academy Awards, Paramount’s No Country for Old Men won four Oscars – Best Film, Best Director, Best Supporting Actor and Best Adapted Screenplay.

 

HOLLYWOOD, CA - FEBRUARY 22: Paramount Chairman and Chief Executive Officer Brad Grey (R) and Cassandra Grey attend the 87th Annual Academy Awards at Hollywood & Highland Center on February 22, 2015 in Hollywood, California. (Photo by George Pimentel/Getty Images)

HOLLYWOOD, CA – FEBRUARY 22: Paramount Chairman and Chief Executive Officer Brad Grey (R) and Cassandra Grey attend the 87th Annual Academy Awards at Hollywood & Highland Center on February 22, 2015 in Hollywood, California. (Photo by George Pimentel/Getty Images)

 

“All of us at Paramount are deeply saddened by the news of Brad Grey’s passing,” said current Paramount Chairman and CEO Jim Gianopulos. “He was at the helm of the studio for over a decade and was responsible for so many of the studio’s most beloved films. I was proud to call Brad a friend, and one I greatly admired. He will be missed by us all, and left his mark on our industry and in our hearts.”

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