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Just a week after releasing the first trailer for the George Clooney-directed Suburbicon and following the weekend release of Al Gore’s An Inconvenient Sequel: Truth to Power, Paramount Pictures has dropped the teaser for mother!
While the 29-second clip doesn’t reveal any plot points, it succeeds in creating a tense, layered, austere and absorbing world, a backdrop for the star-heavy cast of Jennifer Lawrence, Javier Bardem, Ed Harris and Michelle Pfeiffer to deliver something special. With Darren Aronofsky (Black Swan) directing, that seems likely.
All Paramount has revealed for certain, aside from the cast, is a bullet-point description: “A couple’s relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.” For more, we’ll have to wait until the studio releases the full trailer next week.
Mother! will hit theaters September 15.
An Inconvenient Sequel: Truth to Power rattles out of a world where typhoons and wildfires wail and rage, where warm climate-fueled Zika virus menaces an ever-widening swath of the globe, where streets melt in India, where the coastal United States is swamped on normal days (sunny day flooding in Miami) and extraordinary ones (Hurricane Sandy in New York City).
Directed by Bonni Cohen and Jon Shenk, Al Gore’s sequel to his Oscar-winning 2006 An Inconvenient Truth hits just two months after President Donald Trump pulled the U.S. out of the 195-nation Paris climate agreement. While the timing of the film’s release is coincidental, An Inconvenient Sequel acts as an emphatic counterpoint to the climate-denying, march-with-fingers-in-our-ears-saying-la-la-la-as-the-planet-catastrophically-warms crowd. Here are five reasons to go see it as soon as possible:
1) The documentary frames climate change in an easy-to-understand way
One of the great strengths of An Inconvenient Truth was its distillation of a complex global phenomenon into black-and-white data points. While the sequel has dispensed with the Power- Point-as-documentary narrative device of its predecessor, Gore nonetheless synthesizes the intricate into the straightforward, this time with a blend of graphics and anecdotes
“The man is wonky, no question. But that’s what has made his climate-change crusade persuasive for so many,” writes Bob Mondello on NPR.org. “He gets the figures, turns them into easily digested factoids, says things that initially sound outrageous, and handles the pushback. … The single most exhilarating moment may come from a bar graph — seriously, you’ll want to cheer — but there’s no shortage of human stories on screen: The woman whose shoe gets stuck in pavement that’s melted from the heat.”
That is not to say that the film is without nuance. When Gore evacuates from his Paris venue as ISIS-affiliated terrorists slaughtered 130 people around the city in November 2015, it inspires a cause-and-affect musing that lays out the complexity of the global climate jigsaw puzzle: a drought in Syria led indirectly to social upheaval and civil war, which pried open the social order enough to let ISIS thrive and propagate throughout the world.
2) Climate change is not a partisan issue
Dale Ross is a proud Republican-voting Texan, mayor of Georgetown, “the reddest city in the reddest county in Texas.” And yet, he has oriented his city to become the first in the state that will be 100 percent renewable. Asked why, he said that it simply made economic sense to do so.
“It’s a heartening moment at a time of horrendous political division, but it’s also central to the movie’s approach, which is to insist on facts over ideology and show why it’s a good idea to present the practical as well as the moral argument,” writes Newsweek’s Charles Taylor.
By stripping out partisan moralizing and reframing the argument in economic terms, Gore is both conceding Republicans’ economy-first argument and providing them an excuse to reconsider alternative energy sources without having to admit that such actions could forestall a climate shift. Who cares, after all, when your utility bills are lower?
It’s a 1959 of oversized fin-tailed Chevys and tract homes stamped out to the horizon, a postwar ideal churned straight out of the American Dream-o-meter. It’s a land where strip malls are new and glamourous, where kids still rollick in bicycle-riding packs about the neighborhood, where green lawns and American flags wallpaper the suburban wonderland.
And then the home invasions start. And bad guys kill Mom. And aunt Margaret (Julianne Moore), has some kind of pill problem. And Dad (Matt Damon), may or may not be tied up with the mob. At any rate, he eats with a revolver on the table and repurposes that Chevy’s tire iron as a war weapon.
This is Suburbicon, Paramount’s madcap, George Clooney-directed, Coen Brothers-written tale of violence and deceit. In theaters October 27.
On June 1, the day that President Trump announced that he was withdrawing the United States from the 195-nation Paris climate agreement, Paramount confirmed that Al Gore would edit his forthcoming Inconvenient Sequel: Truth to Power, to include the executive turnabout.
The last-minute changes to the Jon Shenk- and Bonni Cohen-directed film should only inject more poignancy and relevance into a film that earned standing ovations and critical praise when it opened this year’s Sundance Film Festival, on the eve of Trump’s inauguration.
In both a nod to Gore’s courage and an emphatic statement of its own commitment to environmental causes, the studio has launched a Pledge to #BEINCONVENIENT, a social activation where concerned citizens can articulate their solidarity with the movement to mitigate the impacts of climate change.
— Paramount Pictures (@ParamountAU) June 25, 2017
Those who take the pledge can record a video explaining their passions for the environment:
A companion site offers resources to help pledgees choose renewable energy and communicate their priorities to others.
The Pledge follows Paramount’s longstanding commitment to environmental action, a philosophy that permeates the organization, from employee events organized by the studio’s Green Team to helping fund the Green Production Guide for making sustainable Hollywood films.
Transformers Return, The Mist Creeps In, Logo Honors Trailblazers, Bellator Hits MSG, 17th BET Awards Air – All in a Spectacular Weekend for Viacom
This is an extraordinary week for Viacom, a showcase of our diverse properties and the incredible power of our brands, sprawled across theaters, televisions and event spaces all over the world.
On Wednesday, the fifth Transformers movie opened in theaters. Thursday brought Spike’s mini-series adaptation of Stephen King’s The Mist. Friday we celebrate Pride month with Logo’s Trailblazer Honors. Saturday is perhaps the marquee night in Bellator history, as the Spike-owned property drops into New York City’s Madison Square Garden. And Sunday takes us to the West Coast, where BET will broadcast their marquee BET Awards.
As Viacom refocuses under the leadership of CEO Bob Bakish, this rapid-fire concentration of noteworthy properties distills the impressive breadth and depth of Viacom’s multi-brand portfolio.
Here’s a day-by-day look at what’s already dropped and what’s to come over the weekend:
Wednesday, June 21 – Transformers: The Last Knight – Paramount Pictures
It is the fifth installment in the live-action Transformers spectaculars directed by Michael Bay, an intriguing collision of ancient epochs with the robot alien present, and a special effects masterpiece.
“…[I]f you’re not staggered by the technique on display here – the stuff that sets Bay’s work miles above the Fast & Furiouses, X-Men: Apocalypses and Tom Cruise-chasing Mummies of this world – you’re not paying attention,” writes The Telegraph’s Robbie Collin.
Here’s a preview of what he’s talking about:
Since the first Transformers movie hit theaters in 2007, the franchise has raked in nearly $4 billion for Paramount and redefined important elements of the movie industry. “Ever since the first movie in the robo-franchise was released into theaters a decade ago, the film industry has changed its approach to producing, releasing and reporting on movies,” writes The Street’s Buster Coen, noting that the films legitimized toy-to-cinema adaptations, stamped June as a month for movie blockbusters, and set the template for international distribution of American films.
Transformers: The Last Knight is in theaters around the world now. A Bumblebee spin-off is scheduled for release next summer.
With a cast of complex characters unified by their small-town setting, the deft use of suspense and drama, and some imaginative writing, Spike has transformed Stephen King’s 1980 novella about a sinister, monster-filled cloud descending upon a small Maine town into a 10-part serial that debuted last night.
And it’s really good, according to a platoon of critics who got an advanced look at the pilot. “Spike’s new series based on The Mist … wasn’t written by King, but it does the author proud ,” writes CNET’s Gael Fashingbauer Cooper.
The series was written, rather, by a team led by Denmark native Christian Torpe, who is a lifelong King fan and consulted with the author at the project’s outset. King simply told him, “Don’t do anything ordinary.”
Torpe appears to have succeeded, leaving even those familiar with King’s original work in suspense. “It’s hard to judge where this newer, looser adaptation might progress from just the first hour, but Torpe has said that, like King, he intends to explore the nature of fanaticism, and how fear so often compels people to seek out unlikely prophets,” writes The Atlantic’s Sophie Gilbert. “If so, The Mist could be a satisfyingly complex chiller, scaring viewers not just with unexpected jumps and amped-up creepy crawlies, but with the more human monsters who are all trapped together inside, waiting out the weather.”
The Mist premieres at a time of incredible momentum for Spike, which will evolve into the premium TV Paramount Network in January of next year. While the network is still determining an exact programming lineup, they have already announced Yellowstone starring Kevin Costner, a six-part documentary on Trayvon Martin produced in conjunction with The Weinstein Company, American Woman starring Alicia Silverstone and Mena Suvari, a six-part Waco series documenting the 1993 stand-off at the Branch Dividian compound, and a television adaptation of the 1988 classic film Heathers.
Friday, June 23 – Logo Trailblazer Honors – Logo
There’s so much to love about Baywatch. The surf, the sand, the slo-mo. After Paramount’s adaptation of the hugely popular show came to the big screen in May, we posed “5 Questions” to actress Priyanka Chopra. Hear her talk about what it was like working on the film, how Baywatch has become such a global phenomenon, and what’s behind the drama between her character, Victoria Leeds, and super lifeguard Mitch Buchannon, played by Dwayne Johnson.
Watch the discussion below:
Created by Viacom Catalyst.
Less than two years after Will Ferrell (playing step dad Brad) and Mark Wahlberg (dad Dusty), squared off in a territorial brawl over their kids, the duo is back in Daddy’s Home 2. Only this time, they are buddy-buddy co-dads engaged in an endless game of suburban gymnastics to serve their family.
And then Christmas hits. That means that Dusty’s smooth-moving pops (Mel Gibson) and Brad’s still-doting father (John Lithgow) collide in the suddenly undersized home for a holiday disaster of theater-sized proportions.
The Sean Anders-directed film, which also stars Linda Cardellini and John Cena, will be in theaters Nov. 10. Pack your baggage.
Daddy’s Homemade more than $242 million worldwide was released in 2015 and .
With Memorial Day weekend, summer arrives in the American conscience. And what’s more summer (or more American), than Baywatch, that 242-episode icon that lives in everyone’s collective slow-motion memories of the 1990s?
The last episode wrapped a long time ago, but Paramount is bringing Baywatch back, refreshed and updated for the cinema, next Thursday, May 25:
Long-time fans likely don’t need a lot of incentive to don their red swim trunks and life jackets and get in line outside the theater. For those of you who aren’t familiar with Baywatch, however, here are eight reasons why you should stake out a spot in your favorite beach chair now:
1) Everybody loves Dwayne Johnson
Johnson is so perfectly suited to be so many things that when Paramount released G.I. Joe: Retaliation in 2013, he was the natural pick to star as heavy machine gunner Roadblock, one of the most popular Joes of all time.
And he plays a starring role as Mitch Buchannon, the jetski-riding, bad-guy chasing, refrigerator-carrying man about beach who leads the Baywatch lifeguard team. Who else would dive underneath a raging fire and emerge in the bowels of a burning yacht to save someone? And who doesn’t want to see that?
The answer: no one.
“In an age when it’s cooler to hate things than enjoy them, Johnson has carved out an improbable niche for himself, as someone it’s safe to like,” GQ’s Caty Weaver wrote recently. “Maybe you like him because he’s big and does fast things in slow motion. Maybe you like him because he had one song to sing in the children’s musical he was cast in, and he sang it with his whole heart. Undeniably, he is likable…”
2) Dwayne Johnson love Zac Efron (and so will you)
Johnson, who is People’s reining Sexiest Man Alive, recently endorsed costar Zac Efron – who plays Olympic gold medalist Matt Brody in the film – as a candidate to assume his title next year.
“Do I get a vote? Then yes, absolutely I could see that,” Johnson told People. “I could see one out of five happening, I can’t divulge that right now, but he’s in the top five.”
And what’s not to like? While Brody saunters onto the beach as a hotshot international swimming star, he reprises the role of affable dufus that Efron excels at. Buchannon mocks him as “One Direction” and makes him haul tandem refrigerators across the beach to prove himself. But that doesn’t stop Brody from leading monster parties, chasing criminals in “lifeguard pursuit” down the boardwalk, and, you know, leaping off a freaking motorcycle into the ocean.
3) But then again, the Rock loves everyone
The Baywatch beach is big, and there’s a lot of talent filling it up. On the Forces of Good side of the credits, Alexandra Daddario plays Summer Quinn, Kelly Rorhbach reprises the role of C.J. Parker, and Ilfenesh Hadera plays Buchannon’s second-in-command Stephanie Holden. Meanwhile, Priyanka Chopra, a former Miss World and one of the most popular Bollywood celebrities in India, tries out her evil cackling as Victoria Leeds, whose materialization in the Baywatch environs has directly corresponded with an uptick in violence and drug smuggling. The Rock, peering down from his lifeguard chair, nods approvingly at them all:
I truly luv and appreciate every single one of these good humans. @thejonbass @priyankachopra @ilfenator @alexandradaddario @kellyrohrbach @zacefron. They all bring their unique values and qualities to elevate the game. They’re all PHENOMENAL and F’N HILARIOUS in our movie and I’ll happily commit and go the distance with them anytime. Just say the word and I got your backs. And your fronts. Let’s all talk about the elephant in the room here…our four bad ass & talented leading ladies are just straight up alien 👽 level gorgeous. So good looking they’re from another planet. It’s just stupid. Stupid. #AvengersOfTheBeach #BAYWATCH🔥 MAY 25th.