The Daily Show With Trevor Noah puts a surrealist spin on American politics with its daily takedowns of all that is obscene, absurd and inexplicable in Washington, D.C. By doing so, the satirical news source not only fills a vital role in U.S. entertainment and media, but it also incubates a steady stream of rising on-air talent. Lately, those correspondents who report alongside Noah have been showing up all over the place, re-affirming the show’s role as one of the premier talent incubators on TV today.
The Daily Show’s Jordan Klepper is breaking out into a new role as host of a late-night show of his own, which will air weeknights following The Daily Show, while Hasan Minhaj entertained a constellation of elite journalist, celebrities, and politicians at the 2017 White House Correspondents’ Dinner (WHCD), an event typically attended by the president.
But Trump opted to skip the dinner in favor of holding a rally in Harrisburg Pennsylvania, after announcing in February that he would be the first president to skip the event since Ronald Reagan (who was recuperating after being shot) in 1981. Journalists predicted this year’s soirée would be unconventional. And it was.
“It is a tremendous honor to be a part of such a historic event even though the president has chosen not to attend this year. SAD!” Minhaj quipped in a statement. “Now more than ever, it is vital that we honor the First Amendment and the freedom of the press.”
With his Daily Show pedigree, Minhaj is no stranger to political satire—especially when it comes to our commander in chief:
NCAA’s March Madness basketball extravaganza wasn’t the only bracket tournament captivating Americans last month. Third Month Mania, orchestrated by Comedy Central’s The Daily Show With Trevor Noah, waded through the nearly 35,000 Donald Trump tweets to identify his greatest Twitter post of all time.
Courtesy of Comedy Central.
Third Month Mania was a truly “unpresidented” contest, yet its turnout was “yuge.” More than 6 million viewers delved into Trump’s Twitter archives to find the most outlandish tweet, and Noah announced the winner on Wednesday night’s episode.
And the lineup is about to get even better, with the advent of a new late-night talk show starring Jordan Klepper. A longtime correspondent on The Daily Show– which the yet-to-be-named program will follow on weeknights – Klepper will bring his energetic wit and droll skepticism to his own platform.
Tim Robinson and Sam Richardson have inherited a once-great Detroit ad agency on Comedy Central’s hilarious new series, Detroiters. Photo from Comedy Central Press.
They crash the steakhouse luncheons of high-flying auto executives. They know the local garbage truck drivers by name. They’ve devised elaborate rituals around bathroom breaks.
They are Detroiters, and they have landed at Comedy Central with a new half-hour show, bringing delighted reviews along with them.
Starring Sam Duvet (Sam Richardson – Richard Splett on Veep) and Tim Cramblin (Tim Robinson – Saturday Night Live), both alumni of the famed Second City comedy club (watch them here), and native Detroiters themselves, the comedy delivers plenty to satisfy critics, fans, and native Michiganders:
1) It’s hilarious
The duo inherited a Detroit advertising business when Tim’s father “went insane.” Their office, bedecked in the drab and lightless décor of some long-ago era, has been emptied of most employees and all major clients, which once included such blue chips as Budweiser and Delta Air Lines.
Despite occasional zealous pursuits of big-name clients, they remain hapless and amusingly frustrated. It often feels as though Sam and Tim are a couple of amped-up teenagers left unsupervised while dad is off for a brief business meeting – in the first episode, the duo is sidetracked from an urgent deadline by an extended experiment to shatter the “unbreakable” glass panel beside Tim’s office door.
Such mishaps are unending. They run over a Chrysler executive on a way to pitch him. Sam is mistaken for a male prostitute – and rolls with it. A shoot promoting a mirror store is botched – because Sam and Tim are reflected in all of the shots. Their film school editor transforms a kitschy hot tub commercial into an art-house meditation on life and middle age and makes their client – Eddie Champagne, the hot tub king of Detroit – look like a creep.
That Sam and Tim remain so rambunctiously unselfconscious throughout these shenanigans, and that they keep trying to win business and remain friends, balances the absurdity with an endearing dimension. “The new Comedy Central series … is also an opportunity for Richardson and Robinson to dive into absurd situations and physical comedy with an admirable lack of inhibition,” writes Vulture’s Jen Chaney. “There is no ridiculous moment whose boundaries can’t be pushed that much further, into even more ridiculous territory.”
For festival fanatics, March means narrowing down your summer wish-list. Coachella, Firefly, or Mysteryland? Should you purchase a one-day pass, or go full-throttle and get the four-day VIP experience? How much time can you take off work to devote to camping in a desert?
Comedy Central’s inaugural festival is, as its name implies, focused on comedy. But the San Francisco event’s lineup is full of more than just laughs. This entertainment bonanza features music, branded attractions and delectable cuisine from local restaurants and wineries.
On the strength of fearless political commentary and a globally resonant perspective, The Daily Show with Trevor Noah hammered through February with record ratings, wrapping his most-watched and highest-rated month with 1.5 million viewers. International ratings shot up 22 percent.
Even in a crowded late-night talk show space brimming with talent, Noah continues to stand out, recording the only current monthly or quarterly year-over-year ratings increase in both total viewers and in the 18-49 demographic among daily late-night talk shows:
Noah’s ratings have climbed as he offers smart, incisive commentary on a bruising political landscape of fake news and alternative facts, of accusations of mass voter fraud and U.S. immigration bans. His analysis of President Donald Trump’s first week in office has been viewed nearly 5 million times on YouTube alone:
That ratings have increased even as the news cycle accelerates under the Trump Administration is a reflection of The Daily Show staff’s creative tenacity. “Things have definitely sped up,” Daily Show head writer Zhubin Parang told Slate’s Jen Chaney recently. “We used to be able to predict what the show would be the afternoon before the day, and now we just can’t ever assume that the show we have planned at 7 p.m. the night before is going to be anything like the show that’s ultimately going to air the next day.”
While Noah’s commentary frequently critiques Republican policies and actions, part of the show’s appeal is his willingness to engage guests from across the political spectrum. His December conversation with conservative television and online video host Tomi Lahren about Black Lives Matter, the meaning of the American flag, and race relations is the show’s most-watched on YouTube:
Bold conversations like these have helped propel the show’s digital and social engagement as well, with a 42 percent bump in digital views over February 2016 and more than 6 million social actions (likes, shares, comments, reactions, retweets), a best among the daily late night shows.
You can join the social conversation by following The Daily Show on Twitter, Instagram, and Snapchat, and by liking the show’s Facebook page.
As Noah continues on pace toward his best ratings quarter ever, Comedy Central has announced a new edition to its late-night lineup: American and Australian comedian Jim Jefferieswill join the network for a weekly show starting this summer. Here’s a little taste of Jefferies’ acerbic style from a Netflix special he released last year:
The first season of Teachers, TV Land’s hilarious comedy series, earned an A with The Hollywood Reporter’s chief TV critic Tim Goodman, who ranked it among the best television of 2016. It made LA Weekly‘s Best TV of 2016 list as well.
Why the high grade? Let’s hear more from the critics.