With summer creeping right up, it’s time to plan your trip to the amusement park that has something for everyone: there’s a porcupine in the petting zoo, an oft-collapsing chairlift, an assortment of contraptions that explode or shoot at you, and a “ride” that appears to be a Medieval-style catapult that slings riders into the side of a barn. Good thing there’s free beer for every patron.
Unsurprisingly, this zone of dysfunctional chaos is under the purview of Johnny Knoxville, who returns to Paramount Pictures, home of his hit films Jackass and Bad Grandpa, for this homespun David-versus-Goliath tale of the scrappy little park-owner-who-could improvising to battle the new corporate megalith down the road. It’s a fight that is apparently best won with the assistance of negligent lifeguards, unstable slides and ziplines, and bears, both real and as costumed mascots.
Action Point, which will hit theaters on June 1, is directed by Tim Kirkby and stars Knoxville, Chris Pontius, Dan Bakkedahl, Matt Schulze, Eleanor Worthington-Cox, Johnny Pemberton, Brigette Lundy-Paine, Joshua Hoover, Conner McVicker, and Eric Manaka.
The MTV Movie & TV Awards continue to forge a path of diversity, inclusion and all-around awesomeness. Last year, the network tentpole revamped its award parameters, doing away with gendered categories and doling out buckets of golden popcorn to those who helped produce the best of film, television and digital media.
Haddish is pumped, to say the least. The star shared a video with her 1.8 million Instagram followers to announce the news. “It’s gonna be off the chain,” said Haddish. “Because you know why? I’m hosting! And you know what that means ― it’s gonna be hilarious.”
Michael Blackson then took the stage cracking jokes. No one was off limits; from President Trump, Tyrese, Kevin Hart and Monique. He even joked about himself, calling for Monique to step aside because he is “the most decorated comedian.”
“Look at me,” said Blackson, wearing traditional African garb, as he pointed to a photo of himself in a green suit. “That suit has every green in it: iguana green, money green, gang green, even Teenage Mutant Ninja Turtle green!”
With programming that ranged from definitive biopics to animation to riotous unscripted and scripted programming, Viacom scooped up six NAACP Image Awards at this year’s ceremony honoring outstanding performances by people of color.
BET earned a pair of honors for its standout biopic The New Edition Story, while Comedy Central’s animated Legend of Chamberlain Heights took home one statuette. Viacom’s newest network – Paramount Network – brought in two more wins with its beloved Lip Sync Battle, while the Paramount Television-produced 13 Reasons Why added one more.
Take a look at the diverse Viacom properties that impressed this year’s selection committee.
Outstanding Character Voice-Over Performance – Tiffany Haddish
Comedy Central’s ribald animated portrait of three benchwarming hoops wannabees returned for a second season in June. Turns out the trio can’t hit the starting lineup in the awards circuit either: Tiffany Haddish, who plays Cindy on the series, out-hustled the guys to win this honor for the year’s best voice-over. Haddish also earned the Outstanding Supporting Acrtress in a Motion Picture honor for her role as Dina in Universal Picture’s Girls Trip.
Comedy Central’s most recent scripted series, Corporate, brings office humor to a dark, depraved place: Hampton Deville. The fictitious conglomerate is one of the largest corporations in the world, known for its multifarious production of goods—ranging from fresh produce to weapons of mass destruction. The company ethos is, on principle, devoid of principle, embodied by morally bankrupt, bagel-throwing CEO Christian Deville (Lance Reddick) to lower-level cogs Jake and Matt (aka “junior executives-in-training,” played by co-creators Jake Weisman and Matt Ingebretson).
The pilot, Facing the Void is a comprehensive look at dreary Hampton Deville, where “aggressive confrontational criticism” is encouraged and cost-cutting for the $5 billion corporation takes the form of “hierarchal” feeding at staff luncheons.
Watch a clip:
Hampton Deville is everything you don’t want to see in a company—either as an employee or consumer—but Corporate is everything viewers want in a dark comedy.
Corporate’s premiere on Jan. 17 was the highest-rated basic-cable prime comedy debut of the 2017-18 programming season. Critics are obsessed with the portrayal of modern-day cubicle carnage, too. Los Angeles Times TV critic Robert Lloyd called the show “clever and cutting” in his review, and Bustle writer Sydney Bucksbaum vouched for its universal appeal. “Despite the fact that I’ve never worked a meaningless job at a giant corporation,” wrote Bucksbaum, “I found myself relating to Corporate in a way that I’ve never felt before while watching a TV show.” IndieWire’s Steve Greene lauded Comedy Central for producing one of the “most fascinating comedic experiments on TV.”
Corporate is at the vanguard of Comedy Central’s strong 2018 lineup. Mainstays Another Periodand Drunk Historyreturned earlier this week for a third and fifth season, respectively. Critical favoriteDetroiterswill return for a second season, as will The Jim Jefferies Show. Jefferies, an Australian comic, joined the network’s slate of biting late night hosts last year, adding his own sardonic flavor to Comedy Central’s trademark political satire. “You’d think I’d stop being surprised at how smart and funny Jim is about everything,” said Comedy Central President Kent Alterman. “I’m just glad we’re still giving visas to people from whatever s***hole country he comes from.”
By dispatching Madinga to localities across Africa and weaving his segments into the global, often Donald Trump-focused broadcast from New York City, The Daily Show further embeds itself into Comedy Central’s rapidly growing international audience with stories that resonate with their daily experience.
“As wild as Donald Trump is for America, many countries around the world have Trumps of their own and since The Daily Show is in many countries, we thought ‘why not give each country a chance to show off their stable geniuses?’” Noah said of the decision to add Madinga to the show’s roster.
His first segment – a look at corruption in the African National Congress under South Africa’s President, Jacob Zuma – aired locally in Africa on Thursday, Jan. 11.
The move to localize more content follows a year of torrid international ratings growth for The Daily Show, with a 35 percent surge across 10 nations, including South Africa. As the show’s popularity overseas grows, Comedy Central may look to further bolster programming with local components.
“We’re always looking for ways to take global hits and localize them for regions around the world by adding great local talent, like Loyiso,” said Jill Offman, executive vice president and head of Paramount Channel and Comedy Central International. “This is a pilot, so down the road you may see more internationally based correspondents, making The Daily Show a truly global yet local show for regions around the world.”
We’re thrilled to report that Viacom’s brands have just been nominated for a total of 16 NAACP Image Awards across BET, Comedy Central, Nickelodeon, Spike and VH1. The awards honor outstanding achievements of people of color and those who promote social justice in the arts, and we couldn’t be more proud of our nominees — see the list below. Winners will be announced at a live ceremony on Martin Luther King Day (Monday, Jan. 15).
Congratulations to everyone involved for their fantastic work on these programs. Check out our nominated shows and specials and the respective award categories below.
Comedy Central’s recent short-form video isn’t exactly slapstick humor. It’s a PSA in partnership with national organization #ItsOnUs, which is committed to ending sexual assault on college campuses.
The video features a young, male college student named Guy Davis. It’s narrated by a man with a deep, sonorous voice who deems Davis “Action Guy,” a heroic figure with superhuman powers to prevent sexual harassment, armed with a shield to repel obnoxious bros.
Picture a millennial Clark Kent at a frat house, who overhears an argument between fellow students. He rushes downstairs and finds a guy groping a young female student.
“Stop,” says the woman. “I said stop!”
Action Guy tells the jerk to leave her alone. The narrator makes a reference to “superhuman detection skills,” but Action Guy isn’t having it.
“I just heard her,” he says, looking perturbed. “With my ears.”
The message is obvious, but the PSA spells it out anyway: “Be an action guy: no superhero powers required.”
In the politics-everywhere-all-the-time days of 2017, it can be tough to find a zone of existence in which you don’t encounter the name of a certain commander in chief.
Comedy Central’sBroad Cityis here to help. After censoring the president’s name throughout the current season of the show, Abbi and Ilana have extended their efforts online, where you can download a Trump-No-More browser extension. Once you add this handy internet supplement, “Trump” will appear as “Tr**p” on pretty much any page you visit.
This Thanksgiving, Nickelodeon is serving up a feast of nostalgia with a feature-length TV movie revival of its iconic 90s cartoon, Hey Arnold!
Hey Arnold!: The Jungle Movie will finally answer some unresolved questions about our football-headed hero and his missing parents. If you need a brief refresher, the show left off with a cliffhanger. Arnold discovered a clue regarding the whereabouts of his long-lost parents, leading the 9-year-old to believe they had disappeared into the Central American jungle.
And that’s where the two-hour TV movie special will take us.
Any 90s kid who grew up watching Nick’s idiosyncratic animated series will recall Arnold’s unconventional upbringing. He was raised in a fictional metropolis, evoking gnarly vibes of midtown Manhattan circa 1970.
Arnold lived with his eccentric grandparents in a dilapidated boarding house. But he slept on a retro Queen Murphy bed and gazed at the sky through his bedroom’s glass roof. Growing up in the suburbs, I always thought this looked like the ultimate crib. It seems other young fans felt the same way: