“London is arguably the world’s musical epicenter and it’s both a huge privilege and opportunity to bring the MTV EMAs 2017 to the U.K.’s capital city,” said David Lynn, the newly installed CEO of Viacom International Media Networks, who is based in London. “The EMA creates an incredible buzz wherever it lands it; that will be amplified tenfold in London.”
The city last hosted the EMAs in 1996, before the event moved on to other UK venues, including Edinburgh (2003), Liverpool (2008), Belfast (2011) and Glasgow (2014). It looks as though the city is happy to have us back (or at least the mayor is):
MTV’s iconic, unruly annual spring break coverage was a cultural phenomenon. I remember watching MTV Spring Break in 2004. I was 12 and spring break meant a family trip to Florida, but still. I was hooked on MTV’s coverage of Jessica Simpson, Jersey Shore stars, spray tans, cargo pants paired with bikini tops, and overall decadence on the shores of Cancun.
But just like culture has evolved since the early 2000s, MTV’s raucous coverage of spring break has gotten progressively wilder…and weirder.
Viacom will marshal its resources around six flagship networks: MTV, BET, Nickelodeon, Nick Jr., Comedy Central, and Spike, which will be rebranded next year as a premium Paramount channel. Paramount Pictures will not be going anywhere; in fact, the flagship networks will join forces with the iconic studio to produce one or two co-branded films every single year. The company still claims the highest viewership of any cable family in the United States.
These were among the core messages that our CEO, Bob Bakish, delivered to David Farber on CNBC’s Squawk on the Street following release of the company’s first quarter 2017 earnings yesterday. Watch the full conversation above, and click over to Viacom Investor Relations to read the press release or listen to the earnings call.
Once again, Viacom leads all cable families in total viewership, a full percentage point ahead of its nearest competitor. There’s a lot driving this continued strength, including Nick’s status as the king of kids’ programming, with 12 of the top 20 rated cable TV shows for kids between 2 and 11 airing on one of its networks. Viacom does well in all demos, though – several of our networks combine to make up fully half of the top 20 cable series for viewers 12 to 34.
The charts below spell out these viewership and ratings successes in more detail, but they show the company’s strong position as we report our Q1 2017 earnings today. For more business numbers, check out our Investor Relations page on viacom.com.
South Park, sharp and loud as ever in its 20th season, led all of TV in its time slot among male viewers, while Trevor Noah racked up his most-watched quarter since he joined The Daily Showbehind his biting coverage of the presidential election and beyond.
We could go on, but it’s probably more fun for you to flip through the deck below to see what’s happening with all of our brands, from newly acquired Argentinian giant Telefe to Paramount Pictures to a surging MTV. We’ve also included clips from some of the upcoming projects we’re most excited about. For more business results, visit our Investor Relations page on viacom.com.
With a flourish of pride and patriotism, BET celebrated Barack Obama’s eight-year run as president with an emotional send-off on his last day in office. Through the Fire: The Legacy of Barack Obama followed a month-long series of BET documentaries and specials honoring the first couple and their many achievements.
On April 26, 1964, Nelson Mandela addressed the court in Rivona, South Africa.
“I have fought against white domination, and I have fought against black domination,” said Nelson Mandela. “I have cherished the ideal of a democratic and free society in which all persons live together in harmony and with equal opportunities. It is an ideal which I hope to live for and to achieve. But if needs be, it is an ideal for which I am prepared to die.”
New Edition exploded out of anonymity from the Orchard Park Projects in Roxbury, Massachusetts in the early 1980s, selling millions of albums as the stamped the template for the boy band super-groups of the ‘90s and beyond. At one time, they were bigger than Beat It, when their 1983 debut track Candy Girlbeat out one of Michael Jackson’s signature hits for the top spot on the Billboard chart. In the meteoric and fraught years that followed, they would break up and reunite while spawning the solo careers of Bobby Brown, Ralph Tresvant and Johnny Gill, along with the quadruple platinum collaboration of Bell Biv DeVoe.
The tale resonated in part due to its raw, unfiltered nature, delivering the uncensored drama of the exhilarating climb to success, the infighting that led to break-ups and reunions, the wild back-stage mingling amid groupies and substances, and the financial collapses that defied their spotlight. This scene depicting the group members’ mothers’ rage at receiving a check for $1.87 after a sprawling and highly successful tour is typical:
“Normally biopics are padded with dramatic falsehoods for entertainment,” wrote Billboard’s Niki McGloster, “but as the executive producers of the film, New Edition kept the story true to how they lived it.”