In the politics-everywhere-all-the-time days of 2017, it can be tough to find a zone of existence in which you don’t encounter the name of a certain commander in chief.
Comedy Central’sBroad Cityis here to help. After censoring the president’s name throughout the current season of the show, Abbi and Ilana have extended their efforts online, where you can download a Trump-No-More browser extension. Once you add this handy internet supplement, “Trump” will appear as “Tr**p” on pretty much any page you visit.
An Inconvenient Sequel: Truth to Power rattles out of a world where typhoons and wildfires wail and rage, where warm climate-fueled Zika virus menaces an ever-widening swath of the globe, where streets melt in India, where the coastal United States is swamped on normal days (sunny day flooding in Miami) and extraordinary ones (Hurricane Sandy in New York City).
Directed by Bonni Cohen and Jon Shenk, Al Gore’s sequel to his Oscar-winning 2006 An Inconvenient Truth hits just two months after President Donald Trump pulled the U.S. out of the 195-nation Paris climate agreement. While the timing of the film’s release is coincidental, An Inconvenient Sequel acts as an emphatic counterpoint to the climate-denying, march-with-fingers-in-our-ears-saying-la-la-la-as-the-planet-catastrophically-warms crowd. Here are five reasons to go see it as soon as possible:
1) The documentary frames climate change in an easy-to-understand way
One of the great strengths of An Inconvenient Truth was its distillation of a complex global phenomenon into black-and-white data points. While the sequel has dispensed with the Power- Point-as-documentary narrative device of its predecessor, Gore nonetheless synthesizes the intricate into the straightforward, this time with a blend of graphics and anecdotes
“The man is wonky, no question. But that’s what has made his climate-change crusade persuasive for so many,” writes Bob Mondello on NPR.org. “He gets the figures, turns them into easily digested factoids, says things that initially sound outrageous, and handles the pushback. … The single most exhilarating moment may come from a bar graph — seriously, you’ll want to cheer — but there’s no shortage of human stories on screen: The woman whose shoe gets stuck in pavement that’s melted from the heat.”
That is not to say that the film is without nuance. When Gore evacuates from his Paris venue as ISIS-affiliated terrorists slaughtered 130 people around the city in November 2015, it inspires a cause-and-affect musing that lays out the complexity of the global climate jigsaw puzzle: a drought in Syria led indirectly to social upheaval and civil war, which pried open the social order enough to let ISIS thrive and propagate throughout the world.
VP Al Gore with former Mayor of Tacloban City Alfred Romualdez and Typhoon Haiyan survivor Demi Raya, in the Raya family home; Tacloban City, Philippines, March 12, 2016
2) Climate change is not a partisan issue
Dale Ross is a proud Republican-voting Texan, mayor of Georgetown, “the reddest city in the reddest county in Texas.” And yet, he has oriented his city to become the first in the state that will be 100 percent renewable. Asked why, he said that it simply made economic sense to do so.
“It’s a heartening moment at a time of horrendous political division, but it’s also central to the movie’s approach, which is to insist on facts over ideology and show why it’s a good idea to present the practical as well as the moral argument,” writes Newsweek’sCharles Taylor.
By stripping out partisan moralizing and reframing the argument in economic terms, Gore is both conceding Republicans’ economy-first argument and providing them an excuse to reconsider alternative energy sources without having to admit that such actions could forestall a climate shift. Who cares, after all, when your utility bills are lower?
The Daily Show With Trevor Noah puts a surrealist spin on American politics with its daily takedowns of all that is obscene, absurd and inexplicable in Washington, D.C. By doing so, the satirical news source not only fills a vital role in U.S. entertainment and media, but it also incubates a steady stream of rising on-air talent. Lately, those correspondents who report alongside Noah have been showing up all over the place, re-affirming the show’s role as one of the premier talent incubators on TV today.
The Daily Show’s Jordan Klepper is breaking out into a new role as host of a late-night show of his own, which will air weeknights following The Daily Show, while Hasan Minhaj entertained a constellation of elite journalist, celebrities, and politicians at the 2017 White House Correspondents’ Dinner (WHCD), an event typically attended by the president.
But Trump opted to skip the dinner in favor of holding a rally in Harrisburg Pennsylvania, after announcing in February that he would be the first president to skip the event since Ronald Reagan (who was recuperating after being shot) in 1981. Journalists predicted this year’s soirée would be unconventional. And it was.
“It is a tremendous honor to be a part of such a historic event even though the president has chosen not to attend this year. SAD!” Minhaj quipped in a statement. “Now more than ever, it is vital that we honor the First Amendment and the freedom of the press.”
With his Daily Show pedigree, Minhaj is no stranger to political satire—especially when it comes to our commander in chief:
NCAA’s March Madness basketball extravaganza wasn’t the only bracket tournament captivating Americans last month. Third Month Mania, orchestrated by Comedy Central’s The Daily Show With Trevor Noah, waded through the nearly 35,000 Donald Trump tweets to identify his greatest Twitter post of all time.
Courtesy of Comedy Central.
Third Month Mania was a truly “unpresidented” contest, yet its turnout was “yuge.” More than 6 million viewers delved into Trump’s Twitter archives to find the most outlandish tweet, and Noah announced the winner on Wednesday night’s episode.
Well, sort of. Renowned Trump impersonator Anthony Atamanuik will helm The President Show, a weekly production that purports to be broadcast direct from the Oval Office, where the faux commander in chief can circumvent the crooked media’s fake news factories for straight Trump talk.
“Laughing at the President is a proud American tradition and we hope not to disappoint anyone in that department,” said Atamanuik. “But our political system is too broken for us to be content joking about one man, even though he is a disastrous silly little toddler boy. Mostly I’d just like to thank Comedy Central for giving us this platform to speak truth to power and if we’re lucky, end up in prison!”
On the strength of fearless political commentary and a globally resonant perspective, The Daily Show with Trevor Noah hammered through February with record ratings, wrapping his most-watched and highest-rated month with 1.5 million viewers. International ratings shot up 22 percent.
Even in a crowded late-night talk show space brimming with talent, Noah continues to stand out, recording the only current monthly or quarterly year-over-year ratings increase in both total viewers and in the 18-49 demographic among daily late-night talk shows:
Noah’s ratings have climbed as he offers smart, incisive commentary on a bruising political landscape of fake news and alternative facts, of accusations of mass voter fraud and U.S. immigration bans. His analysis of President Donald Trump’s first week in office has been viewed nearly 5 million times on YouTube alone:
That ratings have increased even as the news cycle accelerates under the Trump Administration is a reflection of The Daily Show staff’s creative tenacity. “Things have definitely sped up,” Daily Show head writer Zhubin Parang told Slate’s Jen Chaney recently. “We used to be able to predict what the show would be the afternoon before the day, and now we just can’t ever assume that the show we have planned at 7 p.m. the night before is going to be anything like the show that’s ultimately going to air the next day.”
While Noah’s commentary frequently critiques Republican policies and actions, part of the show’s appeal is his willingness to engage guests from across the political spectrum. His December conversation with conservative television and online video host Tomi Lahren about Black Lives Matter, the meaning of the American flag, and race relations is the show’s most-watched on YouTube:
Bold conversations like these have helped propel the show’s digital and social engagement as well, with a 42 percent bump in digital views over February 2016 and more than 6 million social actions (likes, shares, comments, reactions, retweets), a best among the daily late night shows.
You can join the social conversation by following The Daily Show on Twitter, Instagram, and Snapchat, and by liking the show’s Facebook page.
As Noah continues on pace toward his best ratings quarter ever, Comedy Central has announced a new edition to its late-night lineup: American and Australian comedian Jim Jefferieswill join the network for a weekly show starting this summer. Here’s a little taste of Jefferies’ acerbic style from a Netflix special he released last year:
On Nov. 8, 2016, Viacom employees got the chance to open their eyes to the most important issues of this election season—through an incandescent virtual reality (VR) art show at Viacom Headquarters.
One of the VR works presented on Nov. 8 2016 about gender equality. Photo courtesy of MTV Elect This and Gumshoe
MTV’s Elect This campaign promised its audience substance over scandal. It succeeded in highlighting issues that matter most to their millennial audience such as climate change, social justice, national security, immigration, and health care— in a stunning marriage of innovation and artistry.
While you wait in line to cast your vote, check out what MTV, BET, and Comedy Central are doing to represent their diverse audiences with unique media coverage of one of the most memorable elections in U.S. History. Read More
“If you can’t love yourself,” RuPaul declares at the end of each episode of RuPaul’s Drag Race, “then how in hell are you gonna love somebody else. Can I get an amen?”
No reality television show seems to have resonated with the LGBT community quite like RuPaul’s Drag Race. It encourages viewers—no matter their sexuality—to love themselves, to cherish what makes them singularly precious, and not to let anybody make them feel otherwise.