Much of artist Karen Margolis’s work embodies duality. Her series on cartography involves layering stacks of old maps, then using a soldering iron to burn holes into the textual landscape: in her words, “generating something new from what was lost.”
Margolis mined her college journal entries to source inspiration for a series called Emotion Flow Charts, repurposing words from what she describes as “rants and dreams…interspersed with deeply poignant moments.” She matched words such as “angst,” “sorrow” and “self-doubt” with a bold color swatch arranged according to numerical Pantone (aka those cards you pick up at the hardware store when you’re trying to choose a paint color).
Margolis described them as “Encrypted self-portraits.”
“They’re revealing and concealing at the same time.”