5 Questions With Paramount Network’s Kevin Kay

With the upcoming rebranding of Spike as the Paramount Network, the channel will leverage Paramount’s position as an entertainment icon and aim to be a must-watch destination for premium content. Hear what Kevin Kay has to say about the vision and strategy behind this new network. And be sure to check out their new logo and website, both of which launched today, at ParamountNetwork.com!

5 Questions with Kevin Kay from Viacom Catalyst on Vimeo.

Spike TV to Become Paramount Network in 2018 as Viacom Executes Core Business Strategy

by Stuart Winchester, Viacom

The Paramount Network will launch in the first quarter of 2018, adding a premium entertainment channel to Viacom’s portfolio and executing a core component of the company’s strategic shift under new CEO Bob Bakish. The new net will carry the very best of Spike TV – which Paramount Network will replace – along with high-quality scripted series that will appeal to a broad and diverse audience.

“Our mission is to establish Paramount Network as a prime destination for premium storytelling,” said Kevin Kay, president of Paramount Network, TV Land and CMT. “From Alicia Silverstone as a trailblazing independent working mother in the 1970s to Michael Shannon as an FBI negotiator during the Branch Davidians dramatic standoff and siege, Paramount Network will be the home to compelling stories, unforgettable characters, and high quality production with a distinctive global appeal.”

We have three-quarters of a year until the new property drops onto the airwaves, and a lot more details will emerge between now and then, but here are three things we know right now about Paramount Network:

1) Paramount Network will be a destination for premium storytelling

The Paramount Network’s launch date announcement itemized an impressive roster of scripted series that will roll out in the channel’s first quarter.

Alicia Silverstone and Mena Suvari will star in American Woman, a 1970s drama about family and independence in a feminism-infused landscape. Heathers creates comedy anthology out of the 1988 film of the same name. Waco will transport us back to the standoff at the Branch Davidian compound with an entirely fresh perspective. And I Am Martin Luther King, Jr. is the latest in the acclaimed “I Am” documentary series from filmmaker Derik Murray.

While the already-announced slate is impressive, the possibilities for future franchises are enormous, particularly given the net’s relationship with Paramount Pictures. “Paramount Network is going to support and develop with Paramount,” Kay told The Hollywood Reporter (THR) in a wide-ranging interview. “Whether we make prequels or sequels to franchises that are Paramount movies or we develop our own stuff that becomes Paramount features, the same thing goes for Comedy Central and MTV — they’re in the movie business with Paramount.”

Kay hopes to establish a pipeline that supports eight premium scripted shows in any given year. “That’s a big number in this world we live in today and Viacom seems very willing to support that and help us build to that,” he said.

2) Your favorite Spike stuff isn’t going anywhere

Spike has become a destination for premium unscripted programming, with the full-throttle feel-good Lip Sync Battle joining longstanding network staples Bar Rescue and Ink Master, and all three will migrate to Paramount Network.

Spike, with its deep HD penetration and web of global outposts, was the ideal Viacom property to evolve into the Paramount Network. And, as Kay told THR, while Spike tended to still be viewed as a men’s channel, the iconic Paramount brand carried enormous gravity among fans.

“There is nothing negative in the consumer’s mind about the Paramount name,” Kay told THR. “Older people know The Godfather; some remember the Sherry Lansing years. Younger people know Transformers and Mission Impossible. Those are the franchises they identify with the Paramount name. I think it has a tremendous amount of value and sets a really high bar about premium in the consumer’s mind and it’s up to us not to screw that up.”

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Give Back & Get Down with Mack Wilds

by Chanel Cathey, Viacom
(Amy Pinard Photography)

Mack Wilds (Amy Pinard Photography)

Last week, hundreds in the Viacom family came out and gave big at the 4th annual Give Back & Get Down celebration.  Viacom President and CEO Philippe Dauman, Tom Dooley, Chief Operating Officer, and Marva Smalls, EVP of Global Inclusion Strategy, were all on hand to kick off this holiday giving event benefiting our troops and veterans. This year Viacom employees donated winter clothes, over 6,000 DVDs and 20,000lbs of canned goods to benefit AM VETS and United War Veterans Council, two organizations that work tirelessly to improve the quality of life for vets and their families.

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Behind the Scenes, On the Boardwalk with Bellator

by Mark Jafar, Viacom

Fighters Daniel Straus (left) and Mike Corey connect during the Featherweight Seminfinal at Bellator 65 (Photo credit: Bellator.com)

Atlantic City’s famed Boardwalk Hall has played host to The Beatles and Stones, Sinatra and Pavarotti, presidents, pageants and performances alike.  But the Prohibition-era seaside arena is perhaps best known for its fights.  Over the past 50 years, the Hall has hosted dozens of professional boxing’s biggest title bouts, bringing names like Tyson, Holyfield, Foreman and Holmes to its marquee.

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