Indeed, the Chris Rock-produced show is hilarious. Thede, the former head writer for Comedy Central’s Nightly Show with Larry Wilmore, opened with a ridiculous skit in which she attempts to seduce an attractive Trump supporter with increasingly absurd props, from a Make America Great Again hat to a Confederate flag tattoo.
NEW YORK, NY – SEPTEMBER 25: Comedian Jordan Klepper hosts the premiere of Comedy Central’s “The Opposition w/ Jordan Klepper” on September 25, 2017 in New York City. (Photo by Brad Barket/Getty Images for Comedy Central)
Viewers eager to, as Klepper promised, “only hear from others what you’ve already been telling yourself,” drove ratings up 43 percent among total viewers compared to the same timeslot a year ago. The show, which follows The Daily Show with Trevor Noah Monday through Thursday on Comedy Central, averaged 683,000 total viewers in its first full week.
Since that strong debut, Klepper’s conspiracy-laced satire has continued honing its deft assault on the insipid fever dreams masquerading as news on Infowars.com, Breitbart News Network, and similar outlets. And like Stephen Colbert on Comedy Central’s long-running The Colbert Report before him, Klepper is spot-on lampooning his subjects by adopting their personas.
In the aftermath of last week’s mass shooting in Las Vegas, with Alex Jones busy papering together a schizophrenic collage assigning responsibility for the carnage to a vast deep state conspiracy, an alarmed Klepper reminds us that, “… the mainstream media is wasting our time conducting interviews, verifying sources, and trying to assemble an ‘accurate picture of the suspect’s background.’ Meanwhile, brave online truth-tellers like Infowars and Gateway Pundit are getting to these answers first. They get to their answers so fast, sometimes it feels like they didn’t even have time to think about them.”
Flanked by a coterie of absurd citizen journalists, Klepper is pulling off his fake fake news show with a consistency that has impressed critics.
Robin Thede earned her first writing credit at the 2014 BET Awards, crafting jokes for show host Chris Rock. The gig sparked a fast-paced career in the entertainment industry—a career marked by firsts.
Thede’s “Who Dis?” segment on The Nightly Show was a hit with viewers.
Thede’s irreverent comedic style is a natural fit for late-night, the programming block characterized by acerbic hosts and borderline-offensive skits.
“I purposely put my name in the title so no one can replace me,” Thede quipped in an interview with Essence.
Watch the trailer:
The Rundown will be Thede’s chance to share her charismatic and hilarious style with a wider audience, who may not be familiar with her as a TV personality (although viewers will recognize her humor if they’ve watched any of the daytime, late-night and scripted TV shows where she’s credited as a writer.
“Some people only know me as a comedian, and some people only know me as a writer,” Thede told Variety. “This show blends field and studio comedy and plays to my strengths as a writer and performer. I want to create a (show) that is unlike anything else on the market.”
BET has the same goal. Connie Orlando, BET’s head of programming, told The New York Times that the network was looking to shake up its programming with late-night comedy.
“It was something that made sense for the direction we’re going in,” said Orlando. “We realized our real prime time starts at 10, and our audience loves to laugh. It felt like the perfect moment to add the voice of an African-American female to the conversation.” Orlando also believes the show has potential to go viral and reach viewers outside BET’s demographic.
How? Late-night talk shows are fueled by current events, relying on the daily news cycle for their commentary. Race relations and women’s issues heavily focused on. Thede is in a unique position as a black woman to provide commentary on these topics from her own experience—adding a level of genuine credibility to the late-night set that, until now, hasn’t existed for black female viewers.
In an interview with The New York Times, Thede predicted this credibility would help her show gain traction. “I’m speaking to stories that matter to us,” said Thede, referring to black women. Members of her community will tune in to “to get an authentic opinion about stories they’re not going to hear anywhere else.”
But The Rundown has great potential to engage viewers from every demographic, according to Orlando.
“The show’s going to cover anything from Cardi B to what’s happening in the White House,” Orlando told The New York Times. “I think all kinds of audiences will be interested to know and listen to what Robin has to say.”
Comedy Central’s @midnight – which aired its final episode last Friday – had a nearly impossible premise: define the indefinable by corralling the social media mosh pit that the internet has become into something graspable and tangible. But for four years and 600 episodes, Chris Hardwick and an ever-shuffling crew of established and up-and-coming comedians did an admirable job of doing exactly that.
“Nothing else on television today has done as much to showcase the humor and improvisational abilities of stand-up comics and comedic actors. In fact, nothing else in the modern peak TV era has replicated what The Tonight Show Starring Johnny Carson did for comedy.” – Andrew Husband, Uproxx
The format was simple enough: each night, a panel of three comedians competed gameshow-style to contemplate internet-inspired queries in a sort of freestyle inverse Jeopardy, where there were no right answers, only clever ones.
The cornerstone of the show, of course, was #HashtagWars, the recurring segment that unleashed bizarre and – for the uninitiated – inexplicable trending Twitter threads every weeknight the show aired. In the final episode, Hardwick himself swerved into button-slamming mode, jumping in as a contestant for the first time in the show’s history, riffing on #BabyMovies, #DeadTV, #StonerBroadway, #AnimalMovies, #DrunkVideoGames and other topics among a rotating power panel of biting comics:
For this raucous, inspired and highly original platform, the show won two Emmys – for Outstanding Creative Achievement in Interactive Media Social TV Experience – in both 2015 and ’16, as well as copious praise from critics, who lauded the show’s role as a pipeline for emerging comedic talent.
I became familiar with Australian comedian Jim Jefferies after a college roommate showed me his now infamous 15-minute-long diatribe on gun control. It was a sarcastic, evidence-laden lecture teasing Americans for our wanton adoration of firearms.
“I am all for your Second Amendment rights,” said Jefferies. “I think you should be able to have guns – it’s in your Constitution. What I am not for is bullshit arguments and lies. There is one argument and one argument alone for having guns: F&%k off – I like guns! It’s not the best argument, but it’s all you’ve got.”
The New Yorkerpraised his “brilliant, hilarious, and astonishingly complete discussion” of the gun control debacle. Even pro-gun commentator Dan Zimmerman admitted, “This is best summary of the gun control lobby’s arguments that I have ever heard.”
GIF courtesy of Tumblr user Alan Macraffen.
GIF courtesy of Tumblr user Alan Macraffen.
Material like that propelled Jeffries career forward, and he is now part of Comedy Central’s stellar late-night roster, sitting behind the desk of The Jim Jefferies Show. Jefferies quips about politics, creates outlandish stunts and uses a mashup of news clips to highlight the ridiculous, repetitive buzzwords in mainstream news reports. One hilarious montage showed multiple news sources calling the GOP health bill “secretive,” leading to Jefferies’ astute conclusion that the bill is akin to the self-help pseudo-scientific book, The Secret.
Lines stretched for blocks in Midtown Manhattan near Trump Tower last weekend, but not for a protest. Instead, tourists and locals converged just down the road to see The Daily Show’s homage to the self-proclaimed “Ernest Hemingway of a hundred and forty characters,” the man known as @RealDonaldTrump.
And the lineup is about to get even better, with the advent of a new late-night talk show starring Jordan Klepper. A longtime correspondent on The Daily Show– which the yet-to-be-named program will follow on weeknights – Klepper will bring his energetic wit and droll skepticism to his own platform.
Well, sort of. Renowned Trump impersonator Anthony Atamanuik will helm The President Show, a weekly production that purports to be broadcast direct from the Oval Office, where the faux commander in chief can circumvent the crooked media’s fake news factories for straight Trump talk.
“Laughing at the President is a proud American tradition and we hope not to disappoint anyone in that department,” said Atamanuik. “But our political system is too broken for us to be content joking about one man, even though he is a disastrous silly little toddler boy. Mostly I’d just like to thank Comedy Central for giving us this platform to speak truth to power and if we’re lucky, end up in prison!”
Calling it an “absolute privilege” and the honor of his professional life, Jon Stewart closed out The Daily Show last night with news that he will be leaving the show by the end of the year. Here are his comments in their entirety, above, and Comedy Central’s official statement, below:Read More