On Friday, March 16, RuPaul Charles werked his way down Hollywood’s Walk of Fame in one of his dashing tartan suits and trademark glasses. The entertainment icon and LGBT advocate was finally cementing his status as a Hollywood legend, with a gleaming bronze star.
RuPaul is not only the newest member of the Hollywood Walk of Fame, he’s the only drag star to be inducted.
“This is absolutely the most important moment in my professional career,” said RuPaul in a speech at the ceremony.
Actress Jane Fonda introduced RuPaul, telling the crowd that he deserves a star at least three times the size of anyone else’s, to match the colossal contributions he’s made to entertainment and society at large.
“Behind the glamour, behind the drag queen is a man of great depth, incredible intelligence and compassion,” said Fonda.
RuPaul’s Drag Race – The VH1 show that he hosts – was also nominated for Best Reality Competition Series. Since moving to VH1 from sister network Logo last year, Drag Race has amassed an even larger and more diverse fan base—driving it from cult LGBT favorite to mainstream darling.
Viacom’s other Critics’ Choice nominees included TV Land’sYounger (Sutton Foster, Best Actress in a Comedy Series) and MTV’sTeen Mom (Best Unstructured Reality Series).
Check out this video by Viacom Catalyst:
The Critics’ Choice win follows a string of recent successes for RuPaul. In September, he won his second Emmy at the Creative Arts Emmy Awards—for top host, with Drag Race earning an additional two Emmys for its Oh. My. Gaga. episode.
Watch the award-winning episode, Oh. My. Gaga:
The Emmys were for Outstanding Costumes for Variety, Nonfiction or Reality Programming; and Outstanding Picture Editing for a Structured or Competition Reality Program.
Brad Grey, who led Viacom’s Paramount Pictures for a dozen years and left a rich legacy at the studio, passed away on Sunday evening following a battle with cancer. He was in his home in Holmby Hills, California with his family by his side. He was 59 years old.
“Brad Grey was an extraordinary talent with a passion and gift for storytelling that won’t be forgotten,” said Viacom President and CEO Bob Bakish. “He has left an incredible legacy at Paramount and across the entire entertainment industry, from the beloved hit franchises he developed for both film and television, to the countless individuals he mentored and supported throughout his career. All of us at Viacom and Paramount mourn his passing, and our thoughts are with his family at this difficult time.”
Grey’s commitment to delivering poignant, compelling stories to audiences around the world bolstered the 105-year-old studio’s deep library with films across many genres. Starting with the smash hit Transformers in 2007, Grey guided Paramount into the franchise era with the original Paranormal Activity and continuations of the classic Mission: Impossible and Star Trek series. The studio complemented these releases with a parade of must-see standalone films, including the cerebral Interstellar, the gripping World War Z, and the gonzo Wolf of Wall Street.
NEW YORK, NY – JULY 27: Alec Baldwin, Tom Cruise and Chairman and CEO of Paramount Pictures Brad Grey attend the New York premiere of “Mission Impossible: Rogue Nation” at Times Square on July 27, 2015 in New York City. (Photo by Kevin Mazur/WireImage)
Aside from box office success – eight of Paramount’s 10 top-grossing films came over Grey’s tenure – this varied slate earned many accolades for the studio, including at least one Academy Awards Best Picture nominee in 11 of Grey’s 12 years. Most recently, Paramount earned a pair of Oscars in February: Viola Davis took Best Supporting Actress for her work in the widely hailed adaptation of August Wilson’s Fences, while the gorgeous Arrival earned the award for Sound Editing (both earned Best Picture nominations). At the 2008 Academy Awards, Paramount’s No Country for Old Men won four Oscars – Best Film, Best Director, Best Supporting Actor and Best Adapted Screenplay.
HOLLYWOOD, CA – FEBRUARY 22: Paramount Chairman and Chief Executive Officer Brad Grey (R) and Cassandra Grey attend the 87th Annual Academy Awards at Hollywood & Highland Center on February 22, 2015 in Hollywood, California. (Photo by George Pimentel/Getty Images)
“All of us at Paramount are deeply saddened by the news of Brad Grey’s passing,” said current Paramount Chairman and CEO Jim Gianopulos. “He was at the helm of the studio for over a decade and was responsible for so many of the studio’s most beloved films. I was proud to call Brad a friend, and one I greatly admired. He will be missed by us all, and left his mark on our industry and in our hearts.”
The week before Viola Davis became the first black woman to win an Oscar, Tony, and Emmy after winning Best Supporting Actress for her role in Paramount’s Fences at the 89th annual Academy Awards, BET held a special ceremony dedicated to black entertainment.
BET Presents the American Black Film Festival Honors. (Photo by Frazer Harrison/Getty Images)
Paramount’s Arrival and Fences each won an Oscar last night, capping a torrid award season that firmly established the two films as among the best of 2016.
With a fiery speech that summoned the emotional resonance of the film she appeared in, Viola Davis accepted the prize for best supporting actress for her role in Fences.
“You know, there’s one place where all the people with the greatest potential are gathered,” Davis said in her acceptance speech. “One place. And that’s the graveyard. … So here’s to August Wilson who exhumed and exhalted the ordinary people.”
The haunting Arrival¸ a gorgeous sci-fi tale of aliens landing, earned top honors for Sound Editing. Sylvain Bellemare, a longtime collaborator with director Denis Villeneuve, led the team that created the film’s auditory component, an immense task given a story that spans civilizations, time periods, and settings from the pedestrian to the otherworldly.
As a boy, Jean de Meuron would rise in the dead of the European night to cheer the Academy Award recipients ascending gilded stages on the far side of the Atlantic. He relished this annual celebration of a world he deeply admired: he was a student of Hollywood history, a fan of Spielberg’s Indiana Jones, a dreamer gripped by the allure of the American entertainment industry.
So here he came, from Switzerland, in 2008, embedding himself in studies at the New York Film Academy, USC, UCLA and the New School; bunking down in internships at the Weinstein Company, MTV, Viacom International Media Networks and Paramount. He would go anywhere – New York City, Los Angeles, Mexico, Buenos Aires – as he produced student films and peppered executives with questions at every stop. He learned about marketing campaigns, about the importance of everything from color schemes to timing to creating effective trailers.
It was an immersive course in filmmaking and marketing, fueled by an unwavering vision of what his life ought to be. It was this resolute focus that led him to the 2012 Basel Gässli Film Festival in his native Switzerland, where he met a young director named Timo von Gunten, a preternatural talent whose work – the editing, framing, storytelling – echoed legendary Amelie director Jean-Pierre Jeunet. And it was his partnership with von Gunten, as executive producer (along with Bela Böke) on the short film La Femme et le TGV, that last month opened up the Oscars in a way de Meuron’s boyhood self would not have believed: live, at the event, as a nominee.
Jean de Meuron (right) with La Femme et le TGV producer Giacun Caduff and director Timo von Gunten at a luncheon for Oscar nominees. Photo courtesy of Jean de Meuron.
It would be the culmination of a lifelong ambition, the highest professional acknowledgement in one of the most prominent creative industries in the world. But like an artisan crafting a beautiful piece of furniture, a filmmaker does not spring wholly into the existence with the knowledge of his art, but learns it through a long apprenticeship. For de Meuron, his time at Paramount would prove crucial to plan, produce, edit and promote La Femme et le TGV.
A rich, nostalgic world
It helps to understand, first, what they have made, for an Oscar nomination is reserved for those things that are exceptional.
La Femme et le TGV is set in an idyllic mountain landscape pancaked with cliff bands in the green and field-dotted wilderness outside the impossibly quaint town of Monbijou, Switzerland. At the center of this world is Elise Lafontaine (Jane Birkin), and hammering through it in a shimmering streak of steel and noise is the twice-daily TGV high-speed train. Every day for 32 years, at 6:18 a.m. and again at 7:13 p.m. Lafontaine has leaned, Swiss flag waving, from the window for these joyous passings.
There’s a movie about an alien invasion and one about race relations in 1950s Pittsburgh and one about a Manhattan socialite who has everything except for self-awareness. There’s the latest entry into the Star Trek canon and a spy-thriller of a jaunt back to World War II and another journey even further back with religious missionaries in feudal Japan. And there’s a biopic on one of the most persistent stories of our time, the attack on the American diplomatic compound in Benghazi.
These are the seven Paramount movies that secured a total of 18 nominations for the 89th Oscars when the academy released its annual list of nominees on Tuesday morning.
CriticalfavoritesArrival and Fences led with eight and four nominations, respectively, with each earning a shot at Best Picture. Florence Foster Jenkins follows with a pair of nominations, including Actress in a Leading Role for star Meryl Streep. Silence, Allied, Star Trek Beyond and 13 Hours: The Secret Soldiers of Benghazi each locked down nominations in one category.
An extended member of the Paramount family also racked up his first Oscar nomination – former international marketing division intern Jean de Meuron’s La Femme et la TGV is up in the short film category.
All of nominations are listed below, along with a preview of each film. The show will air on Sunday, Feb. 26, 2017 on ABC. See the full list of movies in each category here.
It’s officially awards show season. 2017 kicked off with the 47th annual Golden Globe Awards earlier this month, where Paramount’s Fences kept up its momentum as one of the most critically acclaimed films of the year.
Washington’s character, Troy Maxson, is an embittered former baseball player and sanitation worker. Viola Davis plays his wife Rose, who ferociously protects her children, ideals, and convictions—which are challenged by her husband’s ego.
These performances garnered Washington and Davis Golden Globe nominations for Best Actor in a film and Best Supporting Actress, respectively.
Who will be this year’s winners in the race to the Oscars? Any way you look at it, the field of contestants is stacked, which is why EPIX is thrilled to bring intimate conversations with the Directors and cast from this year’s biggest Academy contenders to movie fans across the nation. From Anne Hathaway to Quvenzhané Wallis, Ben Affleck to Bradley Cooper, EPIX partnered with The Los Angeles Times on its star-studded panels in “The Envelope” series and is excited to present “The Envelope Please…,” an exclusive on-air and digital series beginning tomorrow, Feb. 8. Read More
Congratulations to Paramount and its creative partners on pulling in six Oscars at the 84th Annual Academy Awards last night – the second biggest haul of any film studio. Gore Verbinski’s Rango took home the statuette for Best Animated Film, while Martin Scorcese’s Hugo won a total of five Awards, including a Best Cinematography nod for Robert Richardson.