It’s a gracious country home resuscitated by a meticulous Jennifer Lawrence, living out a bucolic life with Javier Bardem. But then strange visitors (Ed Harris and Michelle Pfeiffer), arrive. In their suitcases they carry an eerie sketched likeness of the husband. Strange meetings and rituals commence. The house begins to bleed like a dying animal. Their stately oasis has become a caged and corporeal nightmare.
That’s a little of what we can gather from the Darren Aronofsky-directed Mother!’s trippy, frantic first trailer, released earlier this week. Look for the movie in theaters on September 15.
It’s a 1959 of oversized fin-tailed Chevys and tract homes stamped out to the horizon, a postwar ideal churned straight out of the American Dream-o-meter. It’s a land where strip malls are new and glamourous, where kids still rollick in bicycle-riding packs about the neighborhood, where green lawns and American flags wallpaper the suburban wonderland.
And then the home invasions start. And bad guys kill Mom. And aunt Margaret (Julianne Moore), has some kind of pill problem. And Dad (Matt Damon), may or may not be tied up with the mob. At any rate, he eats with a revolver on the table and repurposes that Chevy’s tire iron as a war weapon.
This is Suburbicon, Paramount’s madcap, George Clooney-directed, Coen Brothers-written tale of violence and deceit. In theaters October 27.
As Viacom refocuses under the leadership of CEO Bob Bakish, this rapid-fire concentration of noteworthy properties distills the impressive breadth and depth of Viacom’s multi-brand portfolio.
Here’s a day-by-day look at what’s already dropped and what’s to come over the weekend:
Wednesday, June 21 – Transformers: The Last Knight – Paramount Pictures
It is the fifth installment in the live-action Transformers spectaculars directed by Michael Bay, an intriguing collision of ancient epochs with the robot alien present, and a special effects masterpiece.
“…[I]f you’re not staggered by the technique on display here – the stuff that sets Bay’s work miles above the Fast & Furiouses, X-Men: Apocalypses and Tom Cruise-chasing Mummies of this world – you’re not paying attention,” writes The Telegraph’s Robbie Collin.
Here’s a preview of what he’s talking about:
Since the first Transformers movie hit theaters in 2007, the franchise has raked in nearly $4 billion for Paramount and redefined important elements of the movie industry. “Ever since the first movie in the robo-franchise was released into theaters a decade ago, the film industry has changed its approach to producing, releasing and reporting on movies,” writes The Street’s Buster Coen, noting that the films legitimized toy-to-cinema adaptations, stamped June as a month for movie blockbusters, and set the template for international distribution of American films.
Transformers: The Last Knight is in theaters around the world now. A Bumblebee spin-off is scheduled for release next summer.
With a cast of complex characters unified by their small-town setting, the deft use of suspense and drama, and some imaginative writing, Spike has transformed Stephen King’s 1980 novella about a sinister, monster-filled cloud descending upon a small Maine town into a 10-part serial that debuted last night.
And it’s really good, according to a platoon of critics who got an advanced look at the pilot. “Spike’s new series based on The Mist … wasn’t written by King, but it does the author proud ,” writes CNET’s Gael Fashingbauer Cooper.
The series was written, rather, by a team led by Denmark native Christian Torpe, who is a lifelong King fan and consulted with the author at the project’s outset. King simply told him, “Don’t do anything ordinary.”
Torpe appears to have succeeded, leaving even those familiar with King’s original work in suspense. “It’s hard to judge where this newer, looser adaptation might progress from just the first hour, but Torpe has said that, like King, he intends to explore the nature of fanaticism, and how fear so often compels people to seek out unlikely prophets,” writes The Atlantic’s Sophie Gilbert. “If so, The Mist could be a satisfyingly complex chiller, scaring viewers not just with unexpected jumps and amped-up creepy crawlies, but with the more human monsters who are all trapped together inside, waiting out the weather.”
The Mist premieres at a time of incredible momentum for Spike, which will evolve into the premium TV Paramount Network in January of next year. While the network is still determining an exact programming lineup, they have already announced Yellowstone starring Kevin Costner, a six-part documentary on Trayvon Martin produced in conjunction with The Weinstein Company, American Woman starring Alicia Silverstone and Mena Suvari, a six-part Waco series documenting the 1993 stand-off at the Branch Dividian compound, and a television adaptation of the 1988 classic film Heathers.
Less than two years after Will Ferrell (playing step dad Brad) and Mark Wahlberg (dad Dusty), squared off in a territorial brawl over their kids, the duo is back in Daddy’s Home 2. Only this time, they are buddy-buddy co-dads engaged in an endless game of suburban gymnastics to serve their family.
And then Christmas hits. That means that Dusty’s smooth-moving pops (Mel Gibson) and Brad’s still-doting father (John Lithgow) collide in the suddenly undersized home for a holiday disaster of theater-sized proportions.
The Sean Anders-directed film, which also stars Linda Cardellini and John Cena, will be in theaters Nov. 10. Pack your baggage.
An Inconvenient Truth came spinning out of Al Gore’s Powerpoint deck 11 years ago this spring, resuscitating a national conversation on global warming on its way to winning a pair of Oscars and Best Documentary honors from more than a dozen film critics associations.
Directed by Davis Guggenheim and distributed by Paramount, the film brought in $50 million and became a vital part of the worldwide climate change dialogue. In a powerful statement of Gore’s total commitment to a cause he has been devoted to since initiating the first congressional hearing on global warming in the early 1980s, he and his wife donated all profits to initiatives that would help educate more people about the dangers and realities of climate change.
A decade later, the issues Gore articulated in the film are as urgent as ever, as newly inaugurated President Donald Trump has suggested he may “cancel” the extraordinary Paris Agreement between 195 countries that is intended to slow and ultimately halt global warming. The timing, then, is optimal for An Inconvenient Sequel, Gore’s follow-up that debuted to a standing ovation last week at the Sundance Film Festival.
The film, which Paramount will release in theaters on July 28, is a wide-ranging examination of the global climate turmoil that threatens to massively disrupt life on Earth. In one compelling scene, Gore outlines how one of his most controversial 2006 predictions – that floodwaters could inundate the September 11 Memorial in lower Manhattan – has already happened:
We see explosions and mayhem across human epochs, from hordes of charging armored knights to Old World plazas festooned with Nazi flags to back-packed youngsters gazing awestruck at aerial wreckage pocking a modern football stadium. We do not see exactly who the humans are fighting, but the narration clues us in: “Two species at war. One flesh. One metal.”
What is certain is that Transformers: The Last Knight is going to transport us to battlefields we have not seen before. We have a long wait to see exactly what’s coming – the movie won’t drop until June 23 of next year – but the teaser trailer gives us an inkling of what director Michael Bay will deliver in the latest installment of the explosive franchise, which stars Mark Wahlberg, Anthony Hopkins, Josh Duhamel,Laura Haddock, Jerrod Carmichael and Isabela Moner.
This will be Paramount’s fifth Transformers movie, and more are planned, including a Bumblebee spin-off in 2018. Take a look back at the first four below.
Scarlett Johansson comes tearing from the mid-21st century fantasia of a thrumming Japanese megalopolis in this film adaption of the highly regarded Ghost in the Shell anime franchise. Amid this frantic shadowy world of towering buildings and physics-defying tech laboratories, she roars as the pistol-wielding Major, the cyborg leader of the elite Section 9 task force, as she infiltrates criminal dens and tries to decode the mystery of her own identiy out of the pedestrian world around her.
The trailer above is the first for the film, which Paramount will release on March 31, 2017. The Rupert Sanders-directed thriller also stars Pilou Asbaek, Takeshi Kitano, Juliette Binoche and Michael Pitt.
Vin Diesel is exploding back into his role as Xander Cage this January in xXx: Return of Xander Cage. He is skiing into jungles off of cell phone towers and launching fools out the back of airplanes. He’s skateboarding off the sides of buses. He is riding his motorcycle over water. Oh, and he’s also saving the world.
As if the new trailer weren’t cool enough, the way Vin dropped it on the world was even cooler: through a Facebook Live stream that featured cameos from costars Ruby Rose, Nina Dobrev, Donnie Yen, and others.
Standing on the Paramount Lot in Hollywood, Diesel explained why he decided to deliver the latest promo on Facebook. “Part of the reason I was excited to be doing this with Facebook, is that none other than [Facebook founder] Mark Zuckerberg actually requested me to make another Triple X.”
Vin’s affection for his castmates and the process of making the movie is infectious. “I needed to do a movie where I could smile again,” he says on the stream. “I needed a movie where I enjoyed the laughter, where the laughter would fill me, where the laughter was bursting out. I needed to do a movie where I could get into some of these extreme sports stunts again. I had so much fun just training for these stunts. … When we started filming and I was with this incredible cast, and this atmosphere, and everyone was so excited, everyone was like, ‘Vin, I’ve never seen you so happy.’ I needed it, and you know it.”
It’s easy to see why he’s so excited when you check out the trailer. You can watch the entire Facebook Live stream, in which Vin himself sees the promo for the first time, here: