Through five previous films over two decades, Paramount Pictures’ Mission: Impossible franchise has raked in a total of nearly $2.8 billion, providing a reliable tent pole for the studio and cementing Tom Cruise’s status as one of today’s greatest action heroes.
Now, the sixth installment, Mission: Impossible – Fallout is hurtling toward a July 27 release, and the initial critical reaction indicates that a resurgent Paramount has put together one of the boldest and most exhilarating films of the summer.
“Christopher McQuarrie’s Mission: Impossible Fallout is as relentless and intense an action movie as you’ve seen since [2015’s] Mad Max: Fury Road,” writes Forbes’ Scott Mendelson. “The action sequences, character confrontations and plot turns pile on-top of each other from beginning to end, with barely moment to breathe in between.”
This sentiment is echoed in one review after the next, with Vox’s Alissa Wilkinson noting that “… [Fallout] just may be the best blockbuster of the summer,” and Lewis Knight writing in Mirror that, “It’s hard to imagine how the franchise can top this terrific action romp, but then again we did say that last time.”
Indeed, it was this originality six films in that struck many critics.
“At this point in Hollywood’s franchise-fatigue cycle, it’s rare to see a sequel (nevermind a fifth one) one-upping itself,” writes Chris Nashawaty in Entertainment Weekly. “Fallout is a unique exception that defies our seen-it-all cynicism. It’s the kind of pure, straight-no-chaser pop fun that not only keeps taking your breath away over and over again, it restores your occasionally shaky faith in summer blockbusters.”
What Fallout does share with its five prequels is relentless and elaborate action scenes, pinned to stunning backdrops and choreographed with a heart-pounding realism. Cruise engages in a helicopter chase over the Himalayas, leaps out of a plane through a lightning storm, transforms the streets of Paris into a high-speed motorcycle obstacle course, and gets caught in what may be the greatest fight scene in the history of bathrooms:
“Fallout features more astounding set pieces than can be found in the rest of 2018’s summer crop combined, all of which escalate with such mounting electricity that it’s hard to catch one’s breath,” writes Nick Schager The Daily Beast. “In terms of providing a pure adrenalized rush, almost no contemporaries are in its league.”
When Paramount Pictures’ A Quiet Place opened the SXSW Film Festival last month, the reviews were deafeningly loud – and positive.
“Critics in attendance for the Austin, Texas-based film festival called Krasinski’s third feature film ‘a tight thrill ride,’ ‘a kick-ass horror flick,’ a ‘crowdpleaser,’ and a ‘technically sleek’ and ‘terrifying thriller,’” Entertainment Weekly’s Nick Romanowrote at the time.
They may want to quiet down. Set in a post-apocalyptic America overrun by sonically super-powered insectoid predators that will feast on any human who makes the slightest sound, A Quiet Place’s tiptoeing world of caution and fear is no place for raving critics.
That hasn’t slowed them down. With the film opening in theaters today, the stream of enthralled reviews has turned into a deluge, most of which go something like this take by Cinemablend’s Conner Schwerdtfeger:
“… even in the face of heightened anticipation, nothing could’ve prepared us for how good this film is. Using its simple concept for maximum effectiveness, A Quiet Place blends horror with drama, and the result is a near-perfect horror film that isn’t just the best scary movie of 2018 so far; it is one of the best films of the year, period.”
The film stars Emily Blunt, John Krasinski (who also co-wrote and directed), Noah Jupe and Millicent Simmonds. They survive by wit and prudence and patience, with sign language and with poured sand trails to walk on and within a padded living space designed to mute every sound. Hanging over their bunkered but secure-for-the-moment existence is the fact of Blunt’s pregnancy, promising the inexorable arrival of a screaming baby into a world of omnipresent sound-hungry monsters.
It’s an intriguing meta concept, and one that is masterfully executed in multiple dimensions. Here’s a closer look at the elements that A Quiet Place’s critics are shouting about:
It transcends horror
From its opening scenes, it is clear that A Quiet Place has a larger purpose than scaring audiences out of their seats (though “Every second of A Quiet Place is filled with oppressive dread…” notes GQ’s Tom Philip). In its insistent focus on Mom and Dad Abbott working together to keep their kids alive under horrific circumstances, the film is as much about the overwhelming responsibility and challenges of family life as about anything else.
“The question Krasinski tackles is what defines a family and what’s needed to preserve it?” asks Peter Travers in Rolling Stone. “’Who are we,’ asks Mom, ‘if we can’t protect our children?’ The answers are worked out with satisfying complexity and genuine feeling, proving indeed that home is where family is.”
Left to right: Noah Jupe plays Marcus Abbott, Millicent Simmonds plays Regan Abbott and John Krasinski plays Lee Abbott in A QUIET PLACE, from Paramount Pictures.
At least part of the reason this resonates so deeply is that the survivalist couple is married in real life. “… the success of the film hinges almost entirely on the way in which real-life couple and parents Blunt and Krasinski pour their fears about raising children into their performances here,” writes Joanna Robinson in Vanity Fair. “As is the case with most successful, spare horror films of late, A Quiet Place has much more to say about its humans than its monsters and is especially invested in the ways families fail to communicate even their most basic needs to each other.”
Krasinski is a great director…
Krasinski the actor is familiar to a non-monster-infested America, which has been laughing along with him since the mid-2000’s heyday of The Office. Here, in his debut helming a film for a major studio, we meet Krasinski the director. We are impressed.
“Directed with first-rate visual flair by John Krasinski (who knew?), this riveting near-silent thriller exudes the despair of a broken world with the concision of a Cormac McCarthy novel folded into a simplistic B-movie premise,” writes Eric Kohn in Indiewire. “… the director’s capacity to mine suspense out of inventive scenarios (sinking in a sea of corn, or grasping for a mattress to stifle a baby’s cry) means that every new showdown comes with a few unexpected tricks.”
… supported by an outstanding cast
That one of the Abbott’s children is deaf – meaning the family can all sign fluent sign language – perhaps contributed to their survival in a world where sound is poison. That Krasinski cast a deaf actress in that role most certainly helped transform a surreal world into a believable one.
“Simmonds, a deaf actress, is as commanding here as she was in her astonishing breakthrough turn last year in Todd Haynes’ Wonderstruck,” writes the Los Angeles Times’ Justin Chang.
The rest of the cast is just as strong. “… Blunt, Krasinski, and Jupe all contribute credible intensity to their scenes with a degree of sophistication rare for this type of material,” writes Indiewire’s Kohn.
With summer creeping right up, it’s time to plan your trip to the amusement park that has something for everyone: there’s a porcupine in the petting zoo, an oft-collapsing chairlift, an assortment of contraptions that explode or shoot at you, and a “ride” that appears to be a Medieval-style catapult that slings riders into the side of a barn. Good thing there’s free beer for every patron.
Unsurprisingly, this zone of dysfunctional chaos is under the purview of Johnny Knoxville, who returns to Paramount Pictures, home of his hit films Jackass and Bad Grandpa, for this homespun David-versus-Goliath tale of the scrappy little park-owner-who-could improvising to battle the new corporate megalith down the road. It’s a fight that is apparently best won with the assistance of negligent lifeguards, unstable slides and ziplines, and bears, both real and as costumed mascots.
Action Point, which will hit theaters on June 1, is directed by Tim Kirkby and stars Knoxville, Chris Pontius, Dan Bakkedahl, Matt Schulze, Eleanor Worthington-Cox, Johnny Pemberton, Brigette Lundy-Paine, Joshua Hoover, Conner McVicker, and Eric Manaka.
The message is cryptic, the voice scratchy and resigned to whatever befalls him – the man in captivity has a message for Ethan Hunt (Tom Cruise).
“Your mission, should you choose to accept it. I wonder, did you ever choose not to? The end you always feared is coming, and the blood will be on your hands – the fallout of all your good intentions.”
This is the first full trailer for Paramount Pictures’ Mission: Impossible – Fallout, the sixth installment in the studio’s leaping, punching, gun-fighting, vehicle-chasing adventure saga.
This time, there will be: betrayal, Paris, packed dance clubs, remote armed outposts, boats cascading through sewers, a man thrown through a bathroom mirror, and at least one game of chicken between a Hunt-driven helicopter and a semi. And plenty more.
Mission: Impossible – Fallout, directed by Christopher McQuarrie and starring Tom Cruise, Henry Cavill, Simon Pegg, Rebecca Ferguson, Ving Rhames, Sean Harris, Angela Bassett, Vanessa Kirby, Michelle Monaghan, Alec Baldwin, Wes Bentley and Frederick Schmidt, will be in theaters July 27.
Gnomes, those kitschy ceramic ornaments dotted about the suburban lawnscape, are seldom associated with anything more exciting than neighborhood battles over lowered property values. “…the humble garden gnome can … deter many buyers,” warns The Telegraph.
And then along comes Paramount Pictures’ Sherlock Gnomes, a rollicking animated mystery threading through the parks, sewers, waterways and rowhouses of sprawling London. When a backyard’s worth of spunky gnomes vanishes, Gnomeo and Juliet – returning from their eponymous 2011 film – enlist the services of Sherlock Gnomes (Johnny Depp) to track them down.
Directed by John Stevenson, the film stars James McAvoy, Emily Blunt, Chiwetel Ejiofor, Maggie Smith, Michael Caine, Ashley Jensen, Matt Lucas, Stephen Merchant and Mary J. Blige. Sherlock Gnomes will hit theaters on March 23, 2018.
Tom Cruise will zoom back for a sixth appearance as Ethan Hunt, following 2015’s Mission: Impossible – Rogue Nation, which McQuarrie also directed. The film, which also start Rebecca Ferguson, Henry Cavill, Vanessa Kirky and Alec Baldwin, is slated to open in July 2018.
While it’s way too early for a trailer, you can get ready for the next mission by checking out promos for the first five impossible adventures: