Daddy’s Home Again (and He Brought Mel Gibson and John Lithgow as Grandpas)

by Stuart Winchester, Viacom

Less than two years after Will Ferrell (playing step dad Brad) and Mark Wahlberg (dad Dusty), squared off in a territorial brawl over their kids, the duo is back in Daddy’s Home 2. Only this time, they are buddy-buddy co-dads engaged in an endless game of suburban gymnastics to serve their family.

And then Christmas hits. That means that Dusty’s smooth-moving pops (Mel Gibson) and Brad’s still-doting father (John Lithgow) collide in the suddenly undersized home for a holiday disaster of theater-sized proportions.

The Sean Anders-directed film, which also stars Linda Cardellini and John Cena, will be in theaters Nov. 10. Pack your baggage.

Daddy’s Homemade more than $242 million worldwide was released in 2015 and .

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Remembering Brad Grey

by Stuart Winchester, Viacom

Brad Grey, who led Viacom’s Paramount Pictures for a dozen years and left a rich legacy at the studio, passed away on Sunday evening following a battle with cancer. He was in his home in Holmby Hills, California with his family by his side. He was 59 years old.

“Brad Grey was an extraordinary talent with a passion and gift for storytelling that won’t be forgotten,” said Viacom President and CEO Bob Bakish. “He has left an incredible legacy at Paramount and across the entire entertainment industry, from the beloved hit franchises he developed for both film and television, to the countless individuals he mentored and supported throughout his career. All of us at Viacom and Paramount mourn his passing, and our thoughts are with his family at this difficult time.”

Grey’s commitment to delivering poignant, compelling stories to audiences around the world bolstered the 105-year-old studio’s deep library with films across many genres. Starting with the smash hit Transformers in 2007, Grey guided Paramount into the franchise era with the original Paranormal Activity and continuations of the classic Mission: Impossible and Star Trek series. The studio complemented these releases with a parade of must-see standalone films, including the cerebral Interstellar, the gripping World War Z, and the gonzo Wolf of Wall Street.

NEW YORK, NY - JULY 27: Alec Baldwin, Tom Cruise and Chairman and CEO of Paramount Pictures Brad Grey attend the New York premiere of "Mission Impossible: Rogue Nation" at Times Square on July 27, 2015 in New York City. (Photo by Kevin Mazur/WireImage)

NEW YORK, NY – JULY 27: Alec Baldwin, Tom Cruise and Chairman and CEO of Paramount Pictures Brad Grey attend the New York premiere of “Mission Impossible: Rogue Nation” at Times Square on July 27, 2015 in New York City. (Photo by Kevin Mazur/WireImage)

Aside from box office success – eight of Paramount’s 10 top-grossing films came over Grey’s tenure – this varied slate earned many accolades for the studio, including at least one Academy Awards Best Picture nominee in 11 of Grey’s 12 years. Most recently, Paramount earned a pair of Oscars in February: Viola Davis took Best Supporting Actress for her work in the widely hailed adaptation of August Wilson’s Fences, while the gorgeous Arrival earned the award for Sound Editing (both earned Best Picture nominations). At the 2008 Academy Awards, Paramount’s No Country for Old Men won four Oscars – Best Film, Best Director, Best Supporting Actor and Best Adapted Screenplay.

 

HOLLYWOOD, CA - FEBRUARY 22: Paramount Chairman and Chief Executive Officer Brad Grey (R) and Cassandra Grey attend the 87th Annual Academy Awards at Hollywood & Highland Center on February 22, 2015 in Hollywood, California. (Photo by George Pimentel/Getty Images)

HOLLYWOOD, CA – FEBRUARY 22: Paramount Chairman and Chief Executive Officer Brad Grey (R) and Cassandra Grey attend the 87th Annual Academy Awards at Hollywood & Highland Center on February 22, 2015 in Hollywood, California. (Photo by George Pimentel/Getty Images)

 

“All of us at Paramount are deeply saddened by the news of Brad Grey’s passing,” said current Paramount Chairman and CEO Jim Gianopulos. “He was at the helm of the studio for over a decade and was responsible for so many of the studio’s most beloved films. I was proud to call Brad a friend, and one I greatly admired. He will be missed by us all, and left his mark on our industry and in our hearts.”

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Optimus Prime Tells Earth: “For My World to Live, Yours Must Die”

by Stuart Winchester, Viacom

Paramount has dropped another trailer for Transformers: The Last Knight, panning over colossal battlefields across epochs and revealing the provocative details of the alien robots’ history on Earth.

“For a thousand years, we’ve kept it hidden, to protect Earth from what was destined to arrive,” narrates a somber voice to images of Transformers drawing swords in solidarity with armored knights around a medieval round table, suggesting the Autobots and Decepticons have been battling it out on our turf far longer than we had imagined.

We zoom from those ancient battlefields to what appears to be a hypnotized Optimus Prime, chained in some vacuum of space’s nether regions, swearing allegiance to a being he calls “My Maker.”

And from there to an armada of insectile alien ships sliced from a nightmare, descending en masse upon an Earth upturned by a state of total warfare. Here, Optimus Prime battles Bumblebee and delivers his devastating verdict: “For my world to live, yours must die.”

Transformers: The Last Knight drops in theaters on June 23.

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Critics Explore Rich Future World of Ghost in the Shell and Like What They Find

by Stuart Winchester, Viacom

There is almost nothing in the steampunk urban wilds of Ghost in the Shell that does not invite further exploration, so completely is the film’s cyber-enhanced near future stretched over the geometry of a recognizable city and society. Major (Scarlett Johansson), a cyber-enhanced, terrorist-thumping soldier roams a world where everything is at once fantastical and completely plausible, a realm where even the workaday infrastructure of normal living seems exotic and alien.

For example, her apartment:

Her crew:

Her suit:

And what is lurking in her brain:

On every detail, the film, which opens today, executes flawlessly, seeding these elements in a holograph-laced live-action dimension as dazzling as the anime that inspired it.

“Visually, it resembles nothing else in theaters,” writes AV Club’s Ignatiy Vishnevetsky. “…It is in its designs … that this new Ghost In The Shell finds tantalizing expressions of theme: the faces and limbs of hacked androids breaking up into insect-like forms as they attack; the lonely, recessed spaces of futuristic sleeping quarters; the grotesquerie of cybernetic enhancements; red light districts where human prostitutes dress like sex-bots to attract clientele. Johansson’s Kubrickian performance and the technical precision of the camera make its artifice seem almost haunting.”

Scarlett Johansson plays the Major and Pilou Asbaek plays Batou in Ghost in the Shell from Paramount Pictures and DreamWorks Pictures.

Scarlett Johansson plays the Major and Pilou Asbaek plays Batou in Ghost in the Shell from Paramount Pictures and DreamWorks Pictures. The spectacular future city rises in the background.

This is a common sentiment – the Telegraph’s Tim Robey writes: “As Blade Runner did before it, this slinky, cyberpunk action flick makes its style the entire statement, pondering a future of human-robot synergy simply by visualising it in as much eye-popping detail as possible.”

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Baywatch Hits the Big Screen with Dwayne Johnson and Zac Efron

by Stuart Winchester, Viacom

Baywatch is sprinting back up the beach this spring to a Paramount feature film, led by Dwayne Johnson (Mitch Buchannon) and Zac Efron (Matt Brody), the all-business vet and the brash newcomer, whose brewing rivalry is subdued by a joint mission to save the bay from criminal scheming.

There are leaping jetskis, gun fights, and gun fights on leaping jetskis. There are daring rescues and dives from moving motorcycles into the water. There are drugs and dumped bodies and a ruthless ringleader at the head of it all. And there are the humor-laced moments of quirk and vanity that make Baywatch everything fans would expect it to be: Buchannon critiquing a sand-carved effigy of his physique, a drowning woman pummeling would-be rescuer Brody, a lifeguard tryout involving two refrigerators mounted to a carrying pole.

Johnson and Efron bring good company along on the ride: Priyanka Chopra, Alexandra Daddario, Jon Bass, Kelly Rohrbach and Ilfenesh Hadera. Baywatch, directed by Seth Gordon, hits theaters on May 26.

Snowed in? Don’t worry, summer is coming.🔥 #BeBaywatch #Blizzard2017 #SnowDay

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Scarlett Johansson Rocks a Futuristic Dinner Party in the First Five Minutes of Ghost in the Shell

by Stuart Winchester, Viacom

Ahead of the film’s wide release next week, Paramount aired the first five minutes of its highly anticipated Ghost in the Shell film adaptation in a Facebook Live stream earlier today. [Slide to 1:30 to begin watching the preview.]

This is our first extended look at Scarlett Johansson as cyber-enhanced asskicker Major, an impossibly fluid super soldier who leaps off skyscrapers and bursts through glass in a terrorist-levelling, guns blazing, ninjitsu-flipping onslaught heavy on violent efficiency and devoid of mercy.

It isn’t clear from this opening scene exactly who dispatched the machine gun-equipped gang that Major pulverizes, although the shadowy Hanka Robotics is mentioned by an expiring kabuki robot. What is clear is the stunning future setting, a towering urban techtopia of building-sized holograms and ubiquitous robots, where wired humans download the entire French language into their brains in a few beats of song and an entire building’s security network can be scanned in moments from a virtual headset.

But that world is a backdrop to the story of Major, a one-time human whose body was so damaged in an accident that it was replaced with her exoskeleton – or so she was told. “Who is the Major is a good question,” says Johansson in the clip below, “and this film is really about the journey of self-discovery for the character.”

The Rupert Sanders-directed film, which costars Pilou Asbaek, Takeshi Kitano, Juliette Binoche and Michael Pitt, will open in theaters nationwide on March 31.

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Viacom & Hot Sugar Are Innovating Music With Virtual Reality

Viacom’s newest virtual reality (VR) project is an exploration unlike any other. The Melody of Dust transports you to a castle-like world where every object you encounter (a rose found in a bedroom; a dove descending from the heavens) has a distinct melody to discover and unlock. It blends music, video and gaming into an immersive, interactive experience so groundbreaking that Rolling Stone dubbed it a “new art form.”

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BET Presents: The ABFF Honors Capped Off Black History Month By Honoring Premier Black Cultural Influencers

The week before Viola Davis became the first black woman to win an Oscar, Tony, and Emmy after winning Best Supporting Actress for her role in Paramount’s Fences at the 89th annual Academy Awards, BET held a special ceremony dedicated to black entertainment.

BEVERLY HILLS, CA - FEBRUARY 17: Actor Morris Chestnut speaks onstage during BET Presents the American Black Film Festival Honors on February 17, 2017 in Beverly Hills, California. (Photo by Frazer Harrison/Getty Images)

BET Presents the American Black Film Festival Honors. (Photo by Frazer Harrison/Getty Images)

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Fences, Arrival Deliver Pair of Oscars to Paramount

by Stuart Winchester, Viacom

Paramount’s Arrival and Fences each won an Oscar last night, capping a torrid award season that firmly established the two films as among the best of 2016.

With a fiery speech that summoned the emotional resonance of the film she appeared in, Viola Davis accepted the prize for best supporting actress for her role in Fences.

“You know, there’s one place where all the people with the greatest potential are gathered,” Davis said in her acceptance speech. “One place. And that’s the graveyard. … So here’s to August Wilson who exhumed and exhalted the ordinary people.”

With the honor, Davis became the first black actor to win an Oscar, Emmy and Tony award.

The accolades have been piling up for Fences in general and Davis in particular since awards season launched. Among Davis’ acknowledgements for best supporting actress have been honors from the African-American Film Critics Association, AARP Annual Movies for Grownups Awards and Critics’ Choice Movie Awards. The film’s director, Denzel Washington, has also earned several best actor awards for his performance in the film.

The haunting Arrival¸ a gorgeous sci-fi tale of aliens landing, earned top honors for Sound Editing. Sylvain Bellemare, a longtime collaborator with director Denis Villeneuve, led the team that created the film’s auditory component, an immense task given a story that spans civilizations, time periods, and settings from the pedestrian to the otherworldly.

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