This week, the Webbys announced the winners, and Viacom brought home five awards – four Webby People’s Voice honors, and one Webby Award chosen by the Academy of Digital Arts and Sciences 2,000-member panel:
The Daily Show: Between the Scenes – Film & Video/General/Comedy: Long Form or Series
PEOPLE’S VOICE AWARD
The Daily Show: Make Trump Tweets Eight Again – Websites/General/Humor
The Daily Show social media – Social/Features, Best Writing
The Daily Show social media – Social/Content & Marketing
Viacom also earned 14 honoree spots – across Nickelodeon, MTV, Viacom Catalyst, VIMN, Paramount Network and Velocity – in this year’s Webbys, meaning the work was some of the best of the year, but was not eligible for any awards.
The Webby Awards will host an award show in New York City on May 14. Fans can stream the show on the Webby website the following morning.
March Madness has descended upon America, giving sports fans everywhere the chance to apply their basketball acumen to predict who will prevail in the frantic, single-elimination crucible of the NCAA tournament.
The contest, consisting of 64 entries evenly divided between The Trump Conference and the Everything Else Conference, will ask voters to answer a simple question, best summed up by Noah himself:
“What bullshit was the bullshittiest bullshit of the last year?”
Indeed, there are a lot of good choices. On the Trump side, the president’s claims that his was the largest inauguration crowd in history, that rampant voter fraud cost him the popular vote, that President Obama tapped his Trump Tower phone lines, and that there were “very fine people on both sides” of the August rally in Charlottesville take the top seeds.
Comedy Central’s most recent scripted series, Corporate, brings office humor to a dark, depraved place: Hampton Deville. The fictitious conglomerate is one of the largest corporations in the world, known for its multifarious production of goods—ranging from fresh produce to weapons of mass destruction. The company ethos is, on principle, devoid of principle, embodied by morally bankrupt, bagel-throwing CEO Christian Deville (Lance Reddick) to lower-level cogs Jake and Matt (aka “junior executives-in-training,” played by co-creators Jake Weisman and Matt Ingebretson).
The pilot, Facing the Void is a comprehensive look at dreary Hampton Deville, where “aggressive confrontational criticism” is encouraged and cost-cutting for the $5 billion corporation takes the form of “hierarchal” feeding at staff luncheons.
Watch a clip:
Hampton Deville is everything you don’t want to see in a company—either as an employee or consumer—but Corporate is everything viewers want in a dark comedy.
Corporate’s premiere on Jan. 17 was the highest-rated basic-cable prime comedy debut of the 2017-18 programming season. Critics are obsessed with the portrayal of modern-day cubicle carnage, too. Los Angeles Times TV critic Robert Lloyd called the show “clever and cutting” in his review, and Bustle writer Sydney Bucksbaum vouched for its universal appeal. “Despite the fact that I’ve never worked a meaningless job at a giant corporation,” wrote Bucksbaum, “I found myself relating to Corporate in a way that I’ve never felt before while watching a TV show.” IndieWire’s Steve Greene lauded Comedy Central for producing one of the “most fascinating comedic experiments on TV.”
Corporate is at the vanguard of Comedy Central’s strong 2018 lineup. Mainstays Another Periodand Drunk Historyreturned earlier this week for a third and fifth season, respectively. Critical favoriteDetroiterswill return for a second season, as will The Jim Jefferies Show. Jefferies, an Australian comic, joined the network’s slate of biting late night hosts last year, adding his own sardonic flavor to Comedy Central’s trademark political satire. “You’d think I’d stop being surprised at how smart and funny Jim is about everything,” said Comedy Central President Kent Alterman. “I’m just glad we’re still giving visas to people from whatever s***hole country he comes from.”
By dispatching Madinga to localities across Africa and weaving his segments into the global, often Donald Trump-focused broadcast from New York City, The Daily Show further embeds itself into Comedy Central’s rapidly growing international audience with stories that resonate with their daily experience.
“As wild as Donald Trump is for America, many countries around the world have Trumps of their own and since The Daily Show is in many countries, we thought ‘why not give each country a chance to show off their stable geniuses?’” Noah said of the decision to add Madinga to the show’s roster.
His first segment – a look at corruption in the African National Congress under South Africa’s President, Jacob Zuma – aired locally in Africa on Thursday, Jan. 11.
The move to localize more content follows a year of torrid international ratings growth for The Daily Show, with a 35 percent surge across 10 nations, including South Africa. As the show’s popularity overseas grows, Comedy Central may look to further bolster programming with local components.
“We’re always looking for ways to take global hits and localize them for regions around the world by adding great local talent, like Loyiso,” said Jill Offman, executive vice president and head of Paramount Channel and Comedy Central International. “This is a pilot, so down the road you may see more internationally based correspondents, making The Daily Show a truly global yet local show for regions around the world.”
How does a U.S. president follow up a Twitter threat to start a nuclear war with America’s external enemies?
With a promise to strike the malcontents who are most ferociously attacking the nation from within – the mainstream media:
I will be announcing THE MOST DISHONEST & CORRUPT MEDIA AWARDS OF THE YEAR on Monday at 5:00 o’clock. Subjects will cover Dishonesty & Bad Reporting in various categories from the Fake News Media. Stay tuned!
“After provoking North Korea and then insulting Palestine, the President turned to America’s greatest foe: the fake-news media,” Noah said of Trump’s announcement. “So that was Donald Trump’s day on Twitter. The bad news is he’s itching to start a nuclear war. The good news is, despite his threats to Korea, at least he thinks we’re going to make it until Monday.”
And the better news for fans is that, despite Trump pushing the awards until Wednesday, Noah is lobbying hard to win this distinction. In the grand tradition of “for your consideration” awards season self-promotion, Noah turned to the “failing” (according to Trump), New York Times to promote himself as the best possible candidate for the president’s prize:
Noah even plastered his qualifications on a Times Square billboard (on the north side of Viacom’s HQ at 1515 Broadway):
Noah will have plenty of competition, including Comedy Central alums Stephen Colbert and Samantha Bee, who are running their own furious campaigns for this high honor. Noah is not intimidated. “President Trump, don’t be faked out by their fake fake-outs,” a narrator says on a Daily Show-sponsored ad dismissing Colbert and Bee as fake fakers. “When you cast your vote on Monday, vote for The Daily Show with Trevor Noah. He covers you very unfairly, and he’s literally un-American.”
It’s true (though don’t hold that against them): Noah is from South Africa.
Robin Thede earned her first writing credit at the 2014 BET Awards, crafting jokes for show host Chris Rock. The gig sparked a fast-paced career in the entertainment industry—a career marked by firsts.
Thede’s “Who Dis?” segment on The Nightly Show was a hit with viewers.
Thede’s irreverent comedic style is a natural fit for late-night, the programming block characterized by acerbic hosts and borderline-offensive skits.
“I purposely put my name in the title so no one can replace me,” Thede quipped in an interview with Essence.
Watch the trailer:
The Rundown will be Thede’s chance to share her charismatic and hilarious style with a wider audience, who may not be familiar with her as a TV personality (although viewers will recognize her humor if they’ve watched any of the daytime, late-night and scripted TV shows where she’s credited as a writer.
“Some people only know me as a comedian, and some people only know me as a writer,” Thede told Variety. “This show blends field and studio comedy and plays to my strengths as a writer and performer. I want to create a (show) that is unlike anything else on the market.”
BET has the same goal. Connie Orlando, BET’s head of programming, told The New York Times that the network was looking to shake up its programming with late-night comedy.
“It was something that made sense for the direction we’re going in,” said Orlando. “We realized our real prime time starts at 10, and our audience loves to laugh. It felt like the perfect moment to add the voice of an African-American female to the conversation.” Orlando also believes the show has potential to go viral and reach viewers outside BET’s demographic.
How? Late-night talk shows are fueled by current events, relying on the daily news cycle for their commentary. Race relations and women’s issues heavily focused on. Thede is in a unique position as a black woman to provide commentary on these topics from her own experience—adding a level of genuine credibility to the late-night set that, until now, hasn’t existed for black female viewers.
In an interview with The New York Times, Thede predicted this credibility would help her show gain traction. “I’m speaking to stories that matter to us,” said Thede, referring to black women. Members of her community will tune in to “to get an authentic opinion about stories they’re not going to hear anywhere else.”
But The Rundown has great potential to engage viewers from every demographic, according to Orlando.
“The show’s going to cover anything from Cardi B to what’s happening in the White House,” Orlando told The New York Times. “I think all kinds of audiences will be interested to know and listen to what Robin has to say.”
“Trevor, I’ve been on this show for over three years, peddling liberal talking points day in and day out,” longtime Daily Showcorrespondent Jordan Klepper told host Trevor Noah on a recent episode. “But then two months ago, I had two stark realizations: one, I’ve been living in a bubble; and, two, I didn’t have my own show.”
The Klepper that commands his own Comedy Central pulpit, however will be far from the liberal crusader who trolled pro-gun advocates and Trump supporters (watch his best moments here with your cable or service provider log-in). Instead, he will emerge as a self-certain crusader against the mainstream media, an alternative-media hero for, as Comedy Central describes it, “the America of paid protestors, Obama’s birth certificate, and the certainty that CNN is fake news.”
While the network hasn’t revealed the show’s exact format, you can get a sense of the tone and absurdist humor with this clip of Klepper at a Trump rally in Arizona, where he collects signatures on a petition to impeach Hillary Clinton (who currently holds no public office):
The table-thumping turnabout is, of course, sarcastic. But with so many late-night shows preoccupied with every political rumble out of Washington, Klepper knew he had to position this show differently.
“We have a lot of people [in late night] who are mad at what is happening, and they’re very articulate about their frustration,” Klepper told The Hollywood Reporter’s Lacey Rose. The new show will fill a gap, “showing where that [frustration] comes from and trying to satirize from that place. That’s what will hopefully feel fresh.”
This is RuPaul’s second consecutive year taking the Outstanding Host of a Variety, Nonfiction or Reality Program honor – an outcome that was widely predicted after the show’s move from Viacom’s Logo to VH1 earlier this year.
“Drag Race was already the best reality show on TV, and you’d have been hard-pressed to tell anyone within its community of loyal fans that its reach was niche, but the show’s move from the Logo network to Viacom neighbor VH1 proved that the ceiling on television’s premiere drag competition was even higher,” wrote Decider’s Joe Reid in July. “The show scored record ratings and was a massive hit on social media.”
Take one look at the host commanding the stage, and it’s clear why RuPaul repeated this top honor:
With the added exposure, the program racked up seven Emmy nominations this season, and one category remains undecided: RuPaul’s Drag Race is also nominated in the Best Reality Competition Series category, the winner of which will be announced at the primetime Emmys ceremony this Sunday, Sept. 17.
The Daily Show’s Emmy, for Outstanding Short Form Variety Series, celebrates Noah’s “Between the Scenes” takes, in which he riffs on prominent news stories. Here, the host breaks down the U.S. government’s bizarre tradition of perpetually threatening shutdowns over its own failure to raise the debt ceiling:
The Emmy win came on the same week that Comedy Central extended Noah’s contract through 2022. The move acknowledged the show’s incredible and consistent ratings and social engagement growth as the host nears his two-year anniversary at the helm. Vitally, The Daily Show is positioned to wrap this quarter as the most-watched daily, late-night show among millennials.
This is not Noah’s first trip to an awards podium – this past spring, he took Best Host at MTV’s reconfigured Movie and TV Awards.
Sketch comedy, potluck, political satire, lip syncing, drag queens, kid-friendly rock and roll and animated, nostalgic purple grapes: these are a few of our fans’ favorite things. And it turns out that the esteemed voting committee for the 69th Primetime and Creative Arts Emmy Awards likes them quite a bit too.
In a time of great political turmoil, people are seeking a respite from the madness through humor – a trend evident through the recent success of Comedy Central’s late-night talk shows.
The Daily Show With Trevor Noah just marked its most-watched quarter, with an average of 1.5 million nightly viewers, according to a Comedy Central press release. The quarter contained the show’s most-watched and highest-rated week (May 29), since Noah took over from Jon Stewart.
The Daily Show’s strong ratings were reflected on social media, with more than 12 million likes, shares, comments and other interactions during the quarter across Facebook, Twitter and Instagram.