The Daily Show with Trevor Noah Records Most Watched Week Ever

by Stuart Winchester, Viacom

Like a farmer welcoming rainclouds, Trevor Noah has turned something most of us would prefer to do without – the unending tumult pouring from Washington, D.C. – into a building block for something essential: humor.

It is a resource that appears to be especially welcome at this moment of astonishing political turmoil. Last week was The Daily Show with Trevor Noah’s most watched ever, with 1.045 million total viewers, a 36 percent increase over the same week last year. The achievement nudges the program closer to recording eight consecutive months of year-over-year growth among total viewers.

Noah may have had a little help driving ratings. “Noah’s ratings run this week is most likely due in no small part to the problems plaguing Trump,” wrote Variety’s Joe Otterson, referring to the president’s dismissal of the FBI director, ongoing investigations into Russian influence in the presidential election, and other issues.

Indeed, as the pace of news has accelerated under the new administration, The Daily Show has adapted. “Things have definitely sped up,” head writer Zhubin Parang told Vulture’s Jen Chaney in February. “We used to be able to predict what the show would be the afternoon before the day, and now we just can’t ever assume that the show we have planned at 7 p.m. the night before is going to be anything like the show that’s ultimately going to air the next day.”

What Noah and team do ultimately air is unfailingly an incisive examination of the day’s headlines. When news broke early last week, for example, that President Trump disclosed classified information to high-ranking Russian officials on a White House visit, Noah was ready:

“This sounds like a story that we would invent, right?” an astonished Noah asked his audience. “Trump invites the Russians into the Oval Office, and then, in his meeting, starts bragging, ‘I get great intel. I have people brief me on great intel every day.’” Watch the full take below:

The day after that, the Justice Department appointed a special counsel – former FBI chief Robert Mueller – to investigate allegations that Trump campaign aides had colluded with Russia to influence last fall’s presidential election.

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Four Reasons Critics Love Comedy Central’s Detroiters

by Stuart Winchester, Viacom
Detroiters - 824

Tim Robinson and Sam Richardson have inherited a once-great Detroit ad agency on Comedy Central’s hilarious new series, Detroiters. Photo from Comedy Central Press.

They crash the steakhouse luncheons of high-flying auto executives. They know the local garbage truck drivers by name. They’ve devised elaborate rituals around bathroom breaks.

They are Detroiters, and they have landed at Comedy Central with a new half-hour show, bringing delighted reviews along with them.

Starring Sam Duvet (Sam Richardson – Richard Splett on Veep) and Tim Cramblin (Tim Robinson – Saturday Night Live), both alumni of the famed Second City comedy club (watch them here), and native Detroiters themselves, the comedy delivers plenty to satisfy critics, fans, and native Michiganders:

1) It’s hilarious

The duo inherited a Detroit advertising business when Tim’s father “went insane.” Their office, bedecked in the drab and lightless décor of some long-ago era, has been emptied of most employees and all major clients, which once included such blue chips as Budweiser and Delta Air Lines.

Despite occasional zealous pursuits of big-name clients, they remain hapless and amusingly frustrated. It often feels as though Sam and Tim are a couple of amped-up teenagers left unsupervised while dad is off for a brief business meeting – in the first episode, the duo is sidetracked from an urgent deadline by an extended experiment to shatter the “unbreakable” glass panel beside Tim’s office door.

Such mishaps are unending. They run over a Chrysler executive on a way to pitch him. Sam is mistaken for a male prostitute – and rolls with it. A shoot promoting a mirror store is botched – because Sam and Tim are reflected in all of the shots. Their film school editor transforms a kitschy hot tub commercial into an art-house meditation on life and middle age and makes their client – Eddie Champagne, the hot tub king of Detroit – look like a creep.

That Sam and Tim remain so rambunctiously unselfconscious throughout these shenanigans, and that they keep trying to win business and remain friends, balances the absurdity with an endearing dimension. “The new Comedy Central series … is also an opportunity for Richardson and Robinson to dive into absurd situations and physical comedy with an admirable lack of inhibition,” writes Vulture’s Jen Chaney. “There is no ridiculous moment whose boundaries can’t be pushed that much further, into even more ridiculous territory.”

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