With the upcoming rebranding of Spike as the Paramount Network, the channel will leverage Paramount’s position as an entertainment icon and aim to be a must-watch destination for premium content. Hear what Kevin Kay has to say about the vision and strategy behind this new network. And be sure to check out their new logo and website, both of which launched today, at ParamountNetwork.com!
The summer 2017 Nicktern class united to create a mural at the Boys & Girls Club of Burbank and Greater East Valley. The mural, which is one of their largest to date, covers more than 300 square feet and employs a number of Boys & Girls Club themes. The mural was designed by Colton Davis, Gabrielle Dolbey, Tom Fields, Courtney Lovett and Alyson Wong.
Warning: spoilers ahead for TV Land’s Younger.
Season four of Younger lifted off where season three stopped: Liza strafing Kelsey with the news that they are not fellow Snapchatting millennial strivers after all, on account of L being 40-plus with a kid in college and a divorced ex-husband rambling about somewhere in suburban New Jersey.
So Kelsey storms off. And Charles’ estranged wife emerges from exile with a tell-all book about their marriage even as he and Liza seem to be toeing toward some sort of inevitable for-real romance. And Josh – seemingly recovered from busting up Liza and Charles’ proposal-ruining makeout session at the end of last season – summons L to Ireland, where he intends to marry his girlfriend of one month, whom Liza had introduced him to.
And viewers loved it. More viewers than ever before, actually: Younger’s fourth season was the highest-rated and most-watched in series history, with double-digit percentage increases versus season three among key demos. Even more impressive, the show was the number one original ad-supported cable sitcom so far this year with women 18-49 and women 25-54. Fans pushed #YoungerTV to trend on Twitter all 12 weeks that new episodes aired.
Cheers to that, team.
All those fans will be pleased that TV Land has already committed to season five. And with season four ending with a cliffhanger of a missed call to Liza from Charles, some speculate that their romance may finally start blossoming. Show creator Darren Star hinted at as much in an interview with Hollywood Reporter’s Jackie Strause.
“There is a lot of story to tell there,” he said. “As writers, we’re invested in Liza and Charles’ story but at the same time, it’s not an open and honest relationship yet. There’s a lot at stake for Liza being truthful with Charles.”
A confession from Liza to Charles would, of course, crack open the central premise of the show, as her real age would be apparent to all of the main characters. But Star doesn’t think the show’s longevity is tied to Liza perpetually keeping her secret.
“Trevor, I’ve been on this show for over three years, peddling liberal talking points day in and day out,” longtime Daily Show correspondent Jordan Klepper told host Trevor Noah on a recent episode. “But then two months ago, I had two stark realizations: one, I’ve been living in a bubble; and, two, I didn’t have my own show.”
Consider both of those problems solved. The wry Klepper, whose recent Jordan Klepper Solves Guns special demonstrated his capability as a show captain, will star on The Opposition, a new late-night franchise beginning Sept. 25 on Comedy Central.
The Klepper that commands his own Comedy Central pulpit, however will be far from the liberal crusader who trolled pro-gun advocates and Trump supporters (watch his best moments here with your cable or service provider log-in). Instead, he will emerge as a self-certain crusader against the mainstream media, an alternative-media hero for, as Comedy Central describes it, “the America of paid protestors, Obama’s birth certificate, and the certainty that CNN is fake news.”
While the network hasn’t revealed the show’s exact format, you can get a sense of the tone and absurdist humor with this clip of Klepper at a Trump rally in Arizona, where he collects signatures on a petition to impeach Hillary Clinton (who currently holds no public office):
The table-thumping turnabout is, of course, sarcastic. But with so many late-night shows preoccupied with every political rumble out of Washington, Klepper knew he had to position this show differently.
“We have a lot of people [in late night] who are mad at what is happening, and they’re very articulate about their frustration,” Klepper told The Hollywood Reporter’s Lacey Rose. The new show will fill a gap, “showing where that [frustration] comes from and trying to satirize from that place. That’s what will hopefully feel fresh.”
The still paintings pulse with the hectic lifeforce of an animated GIF, seeming to burst from the walls of Viacom’s Times Square headquarters in a mesmerizing array of color and geometry.
The creation of Turkish-born, New York City based Ogulcan Kush (who goes by “OG”), the medley of precision-measured shapes and symbolism is a deliberate synthesis of Eastern, Islamic art and Western modern art. This fusion of artforms is both a tribute to OG’s principal influences and a therapeutic articulation of his frustration that his U.S. work visa will soon expire, forcing him to leave New York.
“I decided to be okay with leaving the U.S., and use whatever time I had left to react to the situation with my art,” OG told Art at Viacom, which is hosting the artist’s first solo U.S. exhibition, American Daydream.
The exhibit is a nice compendium of OG’s work and style – it incorporates legacy pieces and several works created specifically for this exhibit, including a large piece that he painted live outside of Viacom’s cafeteria over several days.
I spoke to OG just after Art at Viacom unveiled his exhibition last month. The conversation below has been edited for clarity and length.
Stuart Winchester: How did you connect with Viacom?
Ogulcan Kush: Last year, I was working on Tahiti Pearson’s Art at Viacom installation, and I met the team at the press party afterward. We met for drinks one night and I showed them my work, and they told me to come in for an interview. And I went in with my pitch ready and they were like, “So we would love to have you.”
SW: Take me through the process of working for Viacom from concept to actual installation.
OG: The people at Art at Viacom were super nice, super friendly. They couldn’t have been more helpful. After we booked the show, I finished two pieces specifically for the space. Then they wanted to incorporate a live painting into the show. They were really supportive of the art, not just established artists, but emerging artists doing a lot of work and trying to come up, so I really respect that.